Infinity Vessel

Infinity Vessel production fuzes holographic art and AR together with studio made glass. Infinity Vessel Video by Juha-Matti Vahdersalo & Iiro Svanbäck.

Finnish glass artists Sini Majuri and Marja Hepo-aho discover the limits of the ancient art of glass in the Infinity Vessel production opening in Venice on September 2022. The myth of Pandora comes to live when contemporary glass mixes with holographic art, haunting soundscapes and grim interpretation of AR.

Majuri and Hepo-aho uses augmented reality as a way to illustrate a hidden – subconscious levels of human mind, where all the fears live. The modern tech reaches the intangible surfaces of expression in the narrative that mirrors the state of the society – asking what happens when human is disconnected from humanity.

As in the myth of Pandora, hope is an important part of the whole, and it is reflected via the profound connection between humanity and craftmanship. The connection is interpreted in a Live glass blowing show at the legendary Berengo Studio Murano.

 The surreal project reflecting the state of the society will be exhibited in Venice on September 2022. Image by Juha-Matti Vahdersalo. 

In the glass show the artists demonstrate how the hope is the final thing released from the Pandora’s vessel. The vessel is paradoxically broken and whole at the same time – as a metaphor to a human.

Infinity Vessel production is a riddle where the participants are experiencing contemporary glass art in a adventurous way. It is a live show, exhibition as well as a real life treasure hunt where valuable glass sculptures are hidden in the maze of Venetian Streets. The open hunt will last for nine days and has a AR level tied to the experience – where the treasure hunters will see the horrors of Pandora spreading across the ancient city.

In the treasure hunt valuable artifacts are hidden in Venice for anyone to find. Image by Juha-Matti Vahdersalo
The Infinity Vessel project has three parts: an installation, live show and a treasure hunt. The installation is a vessel that is broken and whole at the same time, as a paradox. Horrors and nightmares are illustrated via hographic art and augmented reality – as layers of the experience.

Summer Collections

I’m delighted to receive four design awards from the international A’Design Awards! The summer 2022 collections Pikku, Purnu and Orinnoro as well as Suonenjoki vase designed for the city of Suonenjoki were awarded. It is especially meaningful that studio made glass is represented and appreciated in these sort of design forums in the United Nations International Year of Glass 2022. Furthermore it is great to launch these new collections with such a positive starting point as I have started new collaboration with Momono Design Store in Helsinki! If you are visiting Helsinki, you can find Momono from Yrjönkatu, near Design Museum. I have also started to collaborate with Taiko. You can visit my online gallery from here. It has also been a great honor to be chosen into international Homo Faber guide. You can find my site from here.

One of the most memorable projects have been an interview by Isabel Laine for her Bachelor thesis (Suomalainen lasitaide nykytaiteena. Esimerkkinä Sini Majurin nykylasi) for the University of Turku. The thesis is about the relationship of contemporary glass and contemporary art.

This summer I wanted to create something cute and small. Pikku is my first mini size vase and it is studio made in Suomenlinna island. Vases are inspired by soap bubbles and romantic movies. The philosophy of the Pikku is that the small details in our life are precious. In the hectic world it is important to pay attention to a single flower. Vase won a bronze award and was also noted in Avotakka magazine May issue. The vases can be found from Momono as well as from my studio.

Purnu jar is also something rather flirty, pink and smaller than my usual objects. As a designer I usually prefer using quite voluminous glass, which is still present on the thick bottom of the Purnu jar. Actually 20 cm tall Purnu is a miniature version of Orinnoro jar that is a 65 cm tall. The collection is inspired by marshmallows and pop culture. The design philosophy of the object is to reflect the Northern aesthetics with playful colors and simplified shape. Both Orinnoro and Purnu won Bronze and are created in Riihimäki, Finland at Mafka&Alakoski glass studio. Suonenjoki vase was designed for my home town, Suonenjoki. Therefore it was truly touching to also win an award from the vase.

This spring I have also been designing a new sort of project for the Finnish Craft & Design fair: an unique art piece for the event to use as their theme object. You can find the entire interview about the project from the link. The sculpture was made with traditional graal glass blowing technique and the theme of the piece is The Future. The idea of the sculpture is that one must see up close to see far too. When you look inside an object, you first look through lace, as if through a human craft tradition, inside a cell and into humanity. Hands support the future. At the same time, glass is eternal but fragile. Delicate and strong. It’s kind of a paradox.

The craft fair will be held in Tampere. Finland.

KOTI exhibition at The Museum of Fine Arts Eemil

Sini Majuri’s exhibition has opened at the Museum of Fine Arts Eemil. The theme of the exhibition ‘Home’ (Finnish Koti) is illustrated via poetic blown glass. Home is something that define ourselves: who we are and who we desireto be. Home can mean Chaos or a Serene safe haven. It can be dangerous. Loving. Home is missed. It’s not for granted to have a home. Especially in the midst of pandemics home has evolved into new dimensions.

The cartoon story is captured inside blown glass in the exhibition. The illustrations have broken textures that mimic the feeling of ancient and also reflect on the fragile nature of a human. Sini Majuri, Chambers. Graal technique. Suomenlinna 2022. See the entire series from the exhibition catalogue.

The exhibition is part of the program of UN’s international year of glass 2022 – which is why Majuri wanted to highlight the diversity, co-operation and vitality of Finnish contemporary glass in the exhibition. The artist is not only shaping the glass material but the whole creative field and its future.

Studio made glass is an expressive medium that can give a shape to a feeling, the visible and invisible levels of existence. The theme Home is mirrored via multi-layered interpretations of classic Graal- glass blowing technique. Glass story follows the logic of a dream and Home is also seen as a metaphor to a persons psyche. An important part of the narrative is how our own position affects the ways we see each other.

“Inside the optical, vivid glass, a face is distorted. It is impossible to see it as real because the glass material is never static – as a human never is. I’m interested in human gender and how it has been illustrated in culture over the Millennia. ” Sini Majuri. Family Portrait – Hollywood. Riihimäki 2022
The exhibition first focuses on the atmosphere of the Majuri’s home region and then walks into the building to see who lives there. There are multiple hidden layers in the story that can only be seen from exact angle. The textures of the illustrations imitate ancient feel and broken surfaces. This is a metaphor to humanity. Home is seen as a part of a persons psyche. Sini Majuri. Graal technique. Suomenlinna 2022
Glass is a language of beauty – because it is an optical, reflective material that can express subtle shades of emotions, which are otherwise difficult to reach. The sculptures focus in a way human are seen and looked at. The cartoon is inspired by the selfie culture that is mixed into an ancient feel. The main idea in the story is human perspective: how we are tied to our own viewpoint when looking at others. Multi-layered sculptures illustrate the depth of a person. The exhibition is open from January 28 till April 17 2022 in the Museum of Fine Arts Eemil, Lapinlahti Finland.

Read more about the exhibition from Iisalmen Sanomat News Paper: Link

Read an aticle from the Contemporary Glass Society: Link

The online exhibition catalogue: Link.

FRESH Finland’s adventure in Venice Glass Week 2021

FRESH Contemporary glass from Finland exhibition was held in Bel Air Fine Art gallery, in Dorsoduro, during the Venice Glass Week 2021. The FRESH project aims to crystalize what Finnish glass is today. This was my third time at the event. In the previous

Epic voyage. This expression comes across often, when people describe FRESH Finland’s Venice Glass Week project to us. And it truly was a memorable journey indeed. I started FRESH Finland last winter because I hoped to open a dialogue, locally and globally, between glass people. I believe that it’s meaningful for independent artists to work together in a real, concrete way. Especially in the midst of the pandemics it’s time to start fresh. 

The exhibition travelled to Venice by a van. Olli from Fixupaku drove the glass all the way from Helsinki. The Fresh Finland exhibition was loaded on a boat and sailed across the busy canals! Transporting art requires special knowhow and planning.
The exhibition for the glass week gathered eight glass artists together. Each of the group has a unique expression. The project also represented four Finnish glass studios, that create high quality sculptural glass: Mafka&Alakoski, Lasismi, Lasikomppania and Hytti. In the picture there are my artworks that express, how our own perspective alters the way we look at a person. Behind there are artworks by Helmi Remes, Anna Schroderus and Marja Hepo-aho.
Camilla Moberg setting up the Messengers in Glass artworks.

The exhibition was held in Bel Air Fine Art. Choosing an international contemporary art gallery as the space was a conscious choice, a statement for the relationship between blown glass and contemporary art. It’s important to see studio made, sculptural pieces in this sort of location and international events. The aim of the project is to create collaborations that last. I must say that focal point of the FRESH Finland is in the future. 

It is a great honor to have glass demo’s in Berengo studio. The piece by Sini Majuri and Marja Hepo-aho is now also part of the Berengo Studio’s collection.

FRESH had multiple glass demo’s in Murano: in Berengo Glass Studio as well as in Wave Murano Glass. It was truly touching how people in the studios warmly welcomed our Finnish group and took such good care of us! Blown glass is a living heritage that is in a state of constant reinvention. Therefore demo’s are a way to open the hidden world behind the art. It is also a human way to communicate with glass makers and studios. All the demo’s and lectures were live-streamed via Instagram. While having an adventure in Murano, we were delighted to also visit Museo del Vetro.

Glass blowing demonstrations in Berengo Studio were communicated via Instagram live shows. The demo’s can now be seen from FRESH Finland’s IGTV.
Unique sculpture by Sini Majuri and Marja Hepo-aho is now in the Museo del Vetro’s collection. The most important part of the project is the actual, face to face communication and future planning. The sculpture was created in the Venice Glass Week live held in Riihimäki before the journey to Venice.

FRESH Finland’s core is in the collaboration. In The Venice Glass Week there were both artists with decades of experience as well as professionals that just recently have started their career; in total eight artists that each have their unique recognizable style and expression. It is meaningful to be able to work together in this rare way. It is interesting to see what the future holds! At the moment the FRESH group is starting to plan exhibitions and continuing the philosophy of the project; working together, thinking fresh, expressign fresh.

Paula Pääkkönen created a sculpture in Berengo Studio.
The glass demo’s are the soul of the project, because in the studio, the glass is alive. Marja Hepo-aho, Paula Pääkkönen and Sini Majuri hosted multiple demo’s in the studios in Murano. It is a rare opportunity to connect in this special way – and to be welcomed in these magical places that are often hidden from the public.
There are eight glass artists in the first FRESH Finland exhibition: Sini Majuri, Marja Hepo-aho, Anu Penttinen, Anna Schroderus, Camilla Moberg, Paula Pääkkönen. Helmi Remes, Anna-Kaisa Kukkonen-Madi. In the picture the group celebrates the opening gala of the Glass Week.
It was delightful also meet Laura from A’Design Award and receiwe the winner book from my designs. It’s interesting to open a discussion about the role of the studio glass in international Design Awards. We should definitely see it as a category.

My work Technicolor mixes blown glass and fish skin. It expresses femininity in classic movies. It is also a combination of three rare craftsmanships: blacksmith, cobbler and a glass blower works.
During the Venice Glass Week was a great honor to also take part into discussion panel about Future innovations about glass art. You can see the panel from glass weeks youtube channel. Sini Majuri’s works were also in the Venice Glass Week HUB exhibition in Palazzo Loredan.

Four design Awards from Italy

I‘m overwhelmed and thankful for being awarded with four A’Design Awards from Italy!
The Bumpy vase that I designed for DutZ Collection won a Silver award. Flow and Icy collections that were both blown at the wonderful Mafka&Alakoski glass studio in Riihimäki also got Silver awards. What a silver lining for this strange year, indeed! And the Cassiopeia Sculpture that was exhibited in Venice Glass Week HUB got a Bronze award.

Thank you for my great team for all the support over the years, and thank you DutZ for the delightful design project again! It’s always so lovely to work together, making designs that are more than just mere interior objects. The studio made glass has such a unique charisma and soul that I wish that I manage to reflect in my design.

Bumpy for DutZ Collection

Sini Majuri designs a collection of glass vessels for DutZ Collection. Bumpy vases are created in blue, gold and grey color. The collection is awarded with a Silver A’Design Award from Italy in 2021.

Collection plays with contrasts. High quality meet rough glass shards that look as ornaments when placed on the rim of the vessel. Calm Scandinavian color palette brings harmony to the studio made vases that are inspired by the textures of melting ice. The concept of the design is to flirt with organic shapes and poetic glass medium.

The collection is inspired by the melting ice. The icy texture in every vessel has it’s special charisma.
The shape of the vessel is oval. Every piece is mouth blown and shaped by hand.

Bumpy vases are mouth blown and shaped by hand.

Bumpy vase finds its place on the windowsill, side table or as a gorgeous centre-piece on the dining table. This model is suitable for just one flower branch, but it is also beautiful with nothing at all in it. Unique Bumpy vase fits well in every interior.

Flow collection brings 3D perspective into abstract brush strokes

The Flow edition gains inspiration from the elegance of the movement of liquid glass that is frozen into a stasis that is fragile yet forever. The rhythm of the glass making process ensures that every vessel has unique splashes of color that mimic the dance of brush strokes of abstract impression. Every vase has their own breath. It’s a methaphor for a soul of a piece that makes it more than mere interior object. Flow is a 3th edition of Sini Majuri’s Jungle series that has been awarded with a Golden and Silver A’Design Award.

The Flow is a 3th edition of Sini Majuri’s Jungle Collection. Every vase has it’s own color play inside a thick glass.
Every vessel is studio made in Finland and shaped by hand.

Flow collection mixes Scandinavian cool with capricious Finnish glass blowing techniques that allow color flow freely within the glass layers. Collection has three shapes and the design is available in green, blue and purple. Studio made vases are signed by hand and numbered.

A simplified shape can become multi-dimensional in glass medium; There is the visual layer of glass: how does the glass reflect, how will the colors look in different light. Above all there are also the historical layers of glass, the origin of Finnish glass making and the rare knowledge behind the craftsmanship.

Inquiries of the Flow Collection via email. Manufacturing time of orders with more than 10 objects is 2 weeks. For international orders, please ask for a quote with shipping fee.

Flow Collection is made in wide (20 cm tall), small (9 cm tall) and tall (23 cm tall) shape.
Every piece is an unique artwork.
The process of the Flow Collection ensures that every vase has a unique color play inside the hand shaped glass. Made in Mafka&Alakoski studio, Riihimäki, Finland.

The Venice Glass Week 2020

The international Festival dedicated to the art of glass presents its fourth edition: #TheHeartOfGlass, which will take place around Venice, Murano and Mestre from 5th to 13th September 2020. This year’s event place a special focus on the “making” of glass, with the aim of helping to support and relaunch the Murano glass industry. Alongside events including exhibitions, demonstrations and guided tours, the Festival will offer a programme of online initiatives, in order to sustain links with international audiences.

My sculpture is inspired by the microscopic world and how something invisibly small can change the World. Photo by Massimo Pistore

The Floating Furnace, a travelling programme of demonstrations with different stops around the Lagoon. The Venice Glass Week places a special focus on the production of glass, and aims to help relaunch and revitalise the sector – primarily that of Murano – which has faced extreme difficulties as a result of months of closure due to Covid19. The aim is to (re)ignite the passion for the ancient art of glass amongst citizens of Murano, Venice, the Veneto and Italy, and to reach this audience The Venice Glass Week is going to extreme lengths: it is bringing the art of glassmaking out of the furnaces to meet the city’s residents and visitors. Photo: Nexa -Event & Travel Designers, Photographer Federica Lazzarini.
For the first time the Festival has a “title-hashtag”: #TheHeartOfGlass, placing a special focus on the production of glass, and aiming to help relaunch and revitalise the sector – primarily that of Murano – which has faced extreme difficulties as a result of months of closure due to Covid-19.

I’m honored to exhibit my glass installation in The Venice Glass Week HUB in September. Cassiopeia reflects Scandinavian aesthetics and light through organic surfaces. Each sculpture is made from mouth blown studio glass and shaped by hand. The design philosophy behind the ‘Cassiopeia’ is to create poetic interpretation of the weightless yet strong nature of glass. How it allows to see to the deepness of the Universe though the lenses of telescope and into the smallest details of life in the
microscopic world.

The theme in 2020 is “The Heart of Glass”. The festival is promoted by the Town Council of Venice and conceived by three of Venice’s principal cultural institutions with considerable experience and expertise in the field of glass – Fondazione Musei Civici di Venezia, Fondazione Giorgio Cini – LE STANZE DEL VETRO and Istituto Veneto di Scienze, Lettere ed Arti – along with the most important trade association, the Consorzio Promovetro Murano, which also manages the Vetro Artistico® Murano trademark of the Veneto Region. Once again in 2020 The Venice Glass Week has been officially designated by the Regione del Veneto.

Address:
The Venice Glass Week Hub
Palazzo Loredan
sede dell’Istituto Veneto di Scienze, Lettere ed Arti
San Marco 2945
30124 Venice
Italy

Exhibition open to the public: 5th – 13th September 2020 (10am to 6pm)

In line with the strict regulations prescribed by the Italian national health authority in relation to Covid-19, a limited number of visitors will be allowed into the building at one time. All visitors will be required to wear masks.

Icy glasses by Sini Majuri

The new edition of drinking glasses by Sini Majuri are inspired by Nordic nature.
Each Icy glass has it’s own breath and charisma because the movement of the ckracking ice is frozen inside the glass during the glass blowing process. The combination of smooth and cracked surface flirts with light and shadow. The design project is supported by Taike, the Arts Promotion Centre Finland.

The Icy glasses are perfect for serving chilled drinks and cocktails. Studio made drinking vessels are expertly handcrafted in Finland. Each mouth blown object has unique icy surface texture and is signed by hand. The design philosophy behind Icy series is to create elegant, timeless and durable everyday objects. The glasses gain their value from their high quality and design.

Icy glass collection studies old glass blowing tech with Norden mood. Each piece has a unique broken surface that mimics melting and frosted texture of ice. The technique used is called crackle and it was developed in Venice in 16th century.
Icy glasses are inspired by the atmosphere in Lapland.

The designer tumbler with Scandinavian aesthetics offer a satisfyingly weighty feel in the hand. The moment when a unique Icy glass is used is special. When light is gleaming trough the glass with icy texture, the shadow looks like moving water.

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Icy glasses are studio made in Finland. Glasses are signed by hand.

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Purple color edition of Icy glass has a soft color hue that highlights the unique surface texture.

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Dimensions: 8 Ø x 10 H cm
Available in clear and purple colour.
Made in Riihimäki, Finland.

 

 

Sini Majuri wins three A’ Design Awards from Italy

A’ Design Award and Competition is the worlds’ largest design competition awarding best designs, design concepts and products & services. Image by A design Award.

Sini Majuri has been honored with two renowned Silver A’ Design Awards and one Iron Award. The Rainforest glass series won the Silver from Furniture, Decorative Items and Homeware Design Competition. Also Majuri’s work Iceberg won a Silver Award at Arts, Crafts and Ready-Made Design Competition Category. The Iron award was given to Majuri’s Spike lamp design at Lighting Products and Lighting Projects Design Competition Category.

The collection aims to create vases that have unusually thick glass as their material. The space for inner part of the vase is minimized. Almost hidden. This makes the vases appear voluminous, yet light.

The Rainforest vases are a mixture of 3D designed shapes and traditional Scandinavian steamstick technique. The hand shaped pieces have extremely thick glass with weightlessly floating splashes of color. The studiomade collection is inspired by the contrasts of nature, and how it creates harmony.

The A’ Design Competition is organized annually in Como, Italy. Image by A’Design Award.

The Silver A’ Design Award is a prestigious award given to top 5% percentile designs that has achieved an exemplary level of originality in design. Entries to the A’ Furniture Design Awards are peer reviewed and anonymously judged by an expert jury panel of prominent academics, important press members and experienced professionals. Nominated furniture designs are voted on pre-determined evaluation criteria to highlight only the leading furniture design works.

Icebergs are interior sculptures. By connecting mountains, it is possible to build mountain ranges, mental landscapes made of glass. The surface of each recycled glass object is unique. Thus, each object has a unique character, a soul. Sculptures are handshaped, signed and numbered in Finland. The main philosophy behind the Iceberg sculptures is to reflect the climate change.

Spike lamp plays with contrasts. It is inspired by punk culture and calm Scandinavian mood. It is a voluminous piece, with warm light that is focused into a small pointy area under the piece. The Spike lamp has a aggressive appearance because of the metal spikes pointing towards the viewer. At the same time there is something calm about the smoothness of the ceramic surface and warm light. The lamp creates tension in a interior. Like an individual from a subculture.

The object is made in a two sided plaster mold by JP Studiokeramiikka. The outer surface of the ceramic object is spray glazed. The light is a dimmable LED. The diameter of the ceramic part is 350 mm x 320 mm. With the spikes the diameter of the lamp is 450 mm x 370 mm.
The Spike lamp has a aggressive appearance because of the metal spikes pointing towards the viewer. At the same time there is something calm about the smoothness of the ceramic surface and warm light. The lamp creates tension in a interior.

A’ Art Design Award aims to highlight the excellent qualifications of best art designs and greatest art design concepts worldwide. The A’ Design Accolades are organized and awarded annually and internationally in multiple categories to reach a wide, design-oriented audience. The ultimate aim of the A’ art Design Competition is to create a global awareness for good design.