The Flow edition gains inspiration from the elegance of the movement of liquid glass that is frozen into a stasis that is fragile yet forever. The rhythm of the glass making process ensures that every vessel has unique splashes of color that mimic the dance of brush strokes of abstract impression. Every vase has their own breath. It’s a methaphor for a soul of a piece that makes it more than mere interior object. Flow is a 3th edition of Sini Majuri’s Jungle series that has been awarded with a Golden and Silver A’Design Award.
Flow collection mixes Scandinavian cool with capricious Finnish glass blowing techniques that allow color flow freely within the glass layers. Collection has three shapes and the design is available in green, blue and purple. Studio made vases are signed by hand and numbered.
A simplified shape can become multi-dimensional in glass medium; There is the visual layer of glass: how does the glass reflect, how will the colors look in different light. Above all there are also the historical layers of glass, the origin of Finnish glass making and the rare knowledge behind the craftsmanship.
Inquiries of the Flow Collection via email. Manufacturing time of orders with more than 10 objects is 2 weeks. For international orders, please ask for a quote with shipping fee.
The international Festival dedicated to the art of glass presents its fourth edition: #TheHeartOfGlass, which will take place around Venice, Murano and Mestre from 5th to 13th September 2020. This year’s event place a special focus on the “making” of glass, with the aim of helping to support and relaunch the Murano glass industry. Alongside events including exhibitions, demonstrations and guided tours, the Festival will offer a programme of online initiatives, in order to sustain links with international audiences.
I’m honored to exhibit my glass installation in The Venice Glass Week HUB in September. Cassiopeia reflects Scandinavian aesthetics and light through organic surfaces. Each sculpture is made from mouth blown studio glass and shaped by hand. The design philosophy behind the ‘Cassiopeia’ is to create poetic interpretation of the weightless yet strong nature of glass. How it allows to see to the deepness of the Universe though the lenses of telescope and into the smallest details of life in the microscopic world.
Address: The Venice Glass Week Hub Palazzo Loredan sede dell’Istituto Veneto di Scienze, Lettere ed Arti San Marco 2945 30124 Venice Italy
Exhibition open to the public: 5th – 13th September 2020 (10am to 6pm)
In line with the strict regulations prescribed by the Italian national health authority in relation to Covid-19, a limited number of visitors will be allowed into the building at one time. All visitors will be required to wear masks.
The new edition of drinking glasses by Sini Majuri are inspired by Nordic nature. Each Icy glass has it’s own breath and charisma because the movement of the ckracking ice is frozen inside the glass during the glass blowing process. The combination of smooth and cracked surface flirts with light and shadow. The design project is supported by Taike, the Arts Promotion Centre Finland.
The Icy glasses are perfect for serving chilled drinks and cocktails. Studio made drinking vessels are expertly handcrafted in Finland. Each mouth blown object has unique icy surface texture and is signed by hand. The design philosophy behind Icy series is to create elegant, timeless and durable everyday objects. The glasses gain their value from their high quality and design.
The designer tumbler with Scandinavian aesthetics offer a satisfyingly weighty feel in the hand. The moment when a unique Icy glass is used is special. When light is gleaming trough the glass with icy texture, the shadow looks like moving water.
Dimensions: 8 Ø x 10 H cm Available in clear and purple colour. Made in Riihimäki, Finland.
Sini Majuri has been honored with two renowned Silver A’ Design Awards and one Iron Award. The Rainforest glass series won the Silver from Furniture, Decorative Items and Homeware Design Competition. Also Majuri’s work Iceberg won a Silver Award at Arts, Crafts and Ready-Made Design Competition Category. The Iron award was given to Majuri’s Spike lamp design at Lighting Products and Lighting Projects Design Competition Category.
The Rainforest vases are a mixture of 3D designed shapes and traditional Scandinavian steamstick technique. The hand shaped pieces have extremely thick glass with weightlessly floating splashes of color. The studiomade collection is inspired by the contrasts of nature, and how it creates harmony.
The Silver A’ Design Award is a prestigious award given to top 5% percentile designs that has achieved an exemplary level of originality in design. Entries to the A’ Furniture Design Awards are peer reviewed and anonymously judged by an expert jury panel of prominent academics, important press members and experienced professionals. Nominated furniture designs are voted on pre-determined evaluation criteria to highlight only the leading furniture design works.
Icebergs are interior sculptures. By connecting mountains, it is possible to build mountain ranges, mental landscapes made of glass. The surface of each recycled glass object is unique. Thus, each object has a unique character, a soul. Sculptures are handshaped, signed and numbered in Finland. The main philosophy behind the Iceberg sculptures is to reflect the climate change.
Spike lamp plays with contrasts. It is inspired by punk culture and calm Scandinavian mood. It is a voluminous piece, with warm light that is focused into a small pointy area under the piece. The Spike lamp has a aggressive appearance because of the metal spikes pointing towards the viewer. At the same time there is something calm about the smoothness of the ceramic surface and warm light. The lamp creates tension in a interior. Like an individual from a subculture.
A’ Art Design Award aims to highlight the excellent qualifications of best art designs and greatest art design concepts worldwide. The A’ Design Accolades are organized and awarded annually and internationally in multiple categories to reach a wide, design-oriented audience. The ultimate aim of the A’ art Design Competition is to create a global awareness for good design.
Sini Majuri will be in A’Design Awards Grand Jury for the 2020 – 2021 competition after winning a Golden award from the competition in 2019. A’ Design Award Grand Jury Panel brings together the World’s leading design professionals, prominent academics, influential press members and leading experts in industry to recognize, cherish and value good design products, projects and services. A’ Design Award jurors are fully committed to acknowledge and distinguish good design in all its forms.
The mission of the A’ Award and Competition is to provide a fair, ethical and competitive platform for companies, designers and innovators from all design fields with different experience levels, diverse disciplines and market focus to compete on, while providing them a global audience to showcase their success and talents to. The A’ Award and Competition aims to act as blender; to bring together designers, companies and the press. Learn why it is called A’ (A-Prime) Design Award.
For 2020 – 2021 there are 219 Jury Members forming the International Design Academy – The Grand A’ Design Award Jury Panel – The World’s Largest and Most Influential Design Award Jury. Sini Majuri will represent Finnish design and glass making in the jury. She is also the only jury member from Finland in 2020.
A’ Design Award and Competition is the worlds’ largest design competition awarding best designs, design concepts and products & services. The motto of the A’ Design Awards is “Ars Futura Cultura” i.e. Arts Cultivate the Future, Arts for the Culture of Future. The future is shaped by arts, design and technology, thus there is need of good design for a better future.
It’s inspirational to be part of the Salone del Mobile 2020, internationally known as Milan Furniture Fair. Last year I visited Italy several times because of Venice glass week and A’Design Awards. I feel fortunate to be able to return once again! The Italian design atmosphere is wild and wonderful. After every visit my mind is full of new ideas for glass.
One of the projects that I will exhibit at the fair will be Cassiopeia. In the Glass Studio Hytti that is located at Suomenlinna fortress island, we use recycled Iittala Factory’s glass. In Cassiopeia I wanted to create an organic shape by gathering large glass sharts on the surface of the piece. This gives the object extremely rough texture that is carefully melted until all the sharp edges have been smoothed into bumpy ice like overlay.
The early prorotypes of the Cassipeia can also be found from Unionin26 design shop in Helsinki. It’s good to get some feedback before the trip to Milan, because there is still time to make the final adjustments to the project. I’m specially interested to highlight the recycled material as the basis of the design. There is somethign poetic about using broken glass as the material of a new piece.
H.E. Gabriele Altana, the ambassador of Italy in Finland opened the Dreams exhibition in Gallery Pictor, where my glass is exhibited together with the ceramic art of Heini Riitahuhta.
It was a fun coincidence that Italy has been an important part of my year. There was a golden award from Italian A’Design Award and invitation to Venice glass Week. In 2020 I’ll also exhibit some new works in Milan Design Week. So maybe fate is trying to get me to stay in Italy.
Thank you all for the fun opening! The exhibition is open till 7.12.2019. So there is still time to visit and dream along!
1000 VASES exhibition in Dubai presents a unique selection of vases in the Dubai Design District during the Art Dubai 2019 Festival. Sini Majuri has been invited to take part to the international show with her latest edition of the Jungle Collection.
Sini Majuri’s glass vase collection Jungle was first introduced by DutZ Collection in 2018 and exhibited in design fairs around Europe, China and Japan. In 2019 there will be 3 new models premiered in Dubai. The theme in the new pieces is “Rainforest”. Eacn object is solid glass and shaped by hand. The technique used is Timo Sarpaneva’s Steam Stick.
The event redefines both the space of the exhibition and the very presentation of an object, here the vase: a functional, everyday object that rises to the rank of fine-art object thanks to the work and imagination of these designers. This medium is therefore perfect to show all the plurality of the artistic scene today.
The public will be invited to discover, throughout the duration of the exhibition, the creations of young independent designers: unique pieces, made in a multitude of materials and reflecting the personality, the universe and the sensitivity of each.
This overwhelming volume of vases compels us with its richness, its diversity and reveals to us all the artistic expertise of these creators. A profusion of vases which is nothing less than the reflection of the inventiveness and the creative intensity which they show, provoking in us this much desired emotion.
To show the singularity of each designer while confronting him with what surrounds him to better understand the dynamism of the current creation, is at it’s core, the philosophy of the project 1000 Vases.
19 – 25.3.2019 Opening 19.3. At 6.30 – 9 PM
Dubai Design District (d3) Atrium of building No.7 PO Box 333 300 Dubai, United Arab Emirates GPS: Lat: 25.18629 Lng: 55.29914
A lakeside view opens through the huge windows of Harbourfront Centre in Toronto. Behind the centre rises the CN Tower, the landmark of the city. The building, surrounded by skyscrapers, is filled with Scandinavian art. The self-portraits of Iiu Susiraja cover the walls of the Portraits at Home exhibition. The next space is occupied by massive ceramic works of Anders Herwald Ruhwald. The exhibition, called The Hand is the Mind is the Bomb that Blows, lives up to its name. Nordic Glass gathers up nine skilled Nordic glass artists, who rewrite the history of Nordic glass in the 21st century.
The description of the exhibition:
Nordic glass was at a high point in the mid-20th century. Famous glass factories like Orrefors, Iittala, Holmegaard and Kosta Boda; and designers such as Tapio Wirkkala and Alvar Aalto were synonymous with good design and refined taste. This heyday created distinctive identities for all four countries—Norway, Sweden, Denmark and Finland—and collectively added to the Scandinavian Modern aesthetic. Sadly, few of the glass factories remain due to market pressures and outsourcing. However, these economic realities have not lessened the association of well-designed and crafted glass within Nordic countries. The situation has given rise to a bright new generation of glass artists and designers; ones with independent spirits focused on self-expression, experimentation and entrepreneurship. This exhibition highlights a group of glass artists shaping the future of Nordic glass for the 21st century.
My objects in the exhibition are glass mountains. These interior design sculptures can be organized to form either scenic ensembles, glass installations or mental landscapes. Glass imitates the characteristics of ice by frosting and cracking. It is the aesthetic of quietness.
During my journey I had the also the chance to visit New York and meet with design gallerists. I was delighted to visit for example Usagi Gallery, where my Sade sculpture was on display during the NYX Design event. Meeting with my contacts in Toronto also gave ideas to some possible future collaboration projects. It was extremely interesting to visit design and art businesses both in Toronto and New York as well as glass galleries of northern parts of USA. Glass was blown in tourist attractions, schools and culture centres. The Nordic Glass exhibition is open in Toronto until the summer of 2019. Welcome!
I was invited to the annual Design Pier 2018 exhibition in Hong Kong. It’s wonderful to be one of the 20 young talents that are highlighted in the show! This year Finland has a special role in the exhibition: we have two designers in it. I’m so happy to represent Finland with Lincoln Kayiwa! The idea in the exhibition is that each object tells a story – True tales by design.
I will exhibit two very opposite projects; The Jungle collection and Icebergs. The contrasts in nature and the way they create harmony was what I desired to capture in the Jungle collection. The rhythm of the glass making process ensures that each object has a unique colour play inside the glass. The movement of the glass creates vivid illusions in thick material that come to life when the object is illuminated. The Jungle collection is also introduced in European Design Fairs in Munich, Hamburg, Gorinchem, Stockholm and Frankfurt by DutZ Design.
Stories are fundamental to human existence. Stories structure our thinking, the way we live our lives and make sense of our experiences. Objects tell stories too. Stories of the culture they come from, stories of the people who dreamed them, their struggles and their success. Stories of a creative process that formed them, the materials they are made up from. Stories of how they transformed human environments.
Design Pier’s new exhibition guides its guests into the world of creation and presents twenty international cutting-edge designers and design brands whose products connect with us on an emotional level because they have a story to tell.