Infinity Vessel boldly steps onto the catwalk at New York Fashion Week on September 2023. The Flying Solo fashion show, which is held annually on the roof top surrounded by skyscrapers, gathers a global coverage of current fashion. Infinity vessel is exhibiting an eight-piece collection of wearable glass sculptures, such as crowns that explore femininity and the state of society. Glass crowns can be made-to-order from the master craftsmen of the Infinity Vessel project.
The Flying Solo show is one of the most cutting-edge fashion events during New York Fashion Week presenting a wide array of womenswear, menswear and accessories. Every season, Flying Solo discovers new talented independent designers from across the globe. The show has been featured in Fashionista, The New York Times, The Huffington Post, Vogue, Marie Claire, Nylon, and Harper’s Bazaar.
When a machine looks back at us, what does it see? Join us on February 1 – 2.2023 at the Suomenlinna sea Fortress in Helsinki to see how dance artist Mira Ollila interprets the shades of humanity while dancing with Boston Dynamics Spot robot. Roboballet is a new chapter in the Infinity Vessel series by glass artists Sini Majuri and Marja Hepo-aho, where contemporary glass is intertwined with dance and technology. THE ROBOBALLET SHOWS ARE FULL.
Dive into the interactive hologram piece and sculpture exhibition which will spread out in Tenalji von Fersen hall. Exhibition will be open for two days: February 1 – 2. The intensive ten minute dance performances are held at regular intervals. The exhibition and show are open and free to the public.
The ballet’s music is composed by Petri Pulkkinen and Janne Jääskö the holoprojections and interactive art of the work are produced by Craneworks Oy. The choreocraphy of the dance is by Heidi Lehtoranta and Mira Ollila. Robotics has been implemented in collaboration with Aalto University’s robotics department.
THE ROBOBALLET SHOWS ARE FULL.
The exhibition space is located on the upper floor, which is accessed by stairs. Those who need a lift are asked to register in advance so that we can arrange staff to help.
Kun robotti katsoo meitä, mitä se näkee? Tanssitaiteilija Mira Ollila tulkitsee ihmisyyden sävyjä tanssiessaan Aalto Yliopiston robotiikan laitoksen ohjelmoiman Spot-robotin kanssa. Teos on osa lasitaiteilija Sini Majurin ja Marja Hepo-ahon Infinity Vessel-kokonaisuutta, jossa klassiset taiteen alat sekoittuvat nykyteknologiaan. Interaktiivisen teoksen musiikin ovat säveltäneet Petri Pulkkinen ja Janne Jääskö. Teoksessa laulaa Hanna Wendelin. Craneworks Oy vastaa kokonaisuuden holoprojisiosta.
Tanssiteos kestää 10 minuuttia (järjestetään tasatunnein) ja on osa Tenalji von Fersenin saliin levittäytyvää veistosnäyttelyä, jossa hologrammi taide yhdistyy klassiseen lasiin ja ihmisten ilmeisiin keinoälyn välityksellä reagoivaa musiikkimaisemaa.
Esteettömyys: Näyttely sijaitsee Tenalji Von Fersenin salissa, jonne on käynti portaita myöten. Hissiä tarvitservia pyydetään ilmoittautumaan etukäteen, jotta voimme ohjeistaa rakennuksen sivustalla sijaitsevan hissin käytössä.
Communication installation by glass artists Sini Majuri and Marja Hepo-aho was exhibited at The Italian Glass Week’s HUB exhibition arranged in the Palazzo Loredan in Venice on 17 – 25 September 2022. The exhibition consisted of design objects by Majuri and Hepo-aho. The deeper message of the installation was to evoke discussion about the state of the contemporary glass and the artist’s responsibility as a reflector of time. The HUB installation is connected to Infinity Vessel production which was not accepted in the glass week’s program. How ever the rejected project mirroring the state of the society was welcomed to the Berengo Studio in Murano. Read an article about the exhibition at Savon Sanomat Newspaper.
Artists gave a lecture in the Hotel Saturnia to open the unique challenges and characteristics of the field from the perspective of Finnish and international glass. Glass artists are often asked to exhibit safe, beautiful, Scandinavian objects – as the contemporary glass, which deals with society’s taboos, is in a challenging situation in front of financiers and industry institutions. These actors define the field and what kind of art is accepted.
The Communication project is connected to the Infinity Vessel production that opened in Berengo Studio in September 17th 2022 – outside the official glass week program. The triptych with an exhibition, show and a treasure hunt combine glass with multiple innovative technologies. Augmented reality and holographic art are mixed with glass that reflects the lovelessess in society; what happens to an individual when humanity and emotions are disconnected from the surrounding community. The project started when the artists decided to comment on the War in Ukraine, pandemics as well as the women’s rights.
The live glass blowing show in Berengo Studio had Teemu Nurmelin from Finnish National Theater as the visual designer. The starting point of the show is to contemplate the glassblowing demo as its own unrecognized art form. In the article of Savon Sanomat newspaper it is written, that “the experience of the glass show turned out to be powerful on many levels. A strong sense of trust was created between the audience and the artists when the hot glass mass revealed the details of the work as part of the storytelling. Some of the audience wanted to share their feelings after the show, some even cried”.
The third part of the triptych, a hunt of valuable glass artifacts hidden through the city of Venice and Murano island as a real life adventure. Visitors were encouraged to seek out sculptures and discuss the topics of the project on social media. In the treasure hunt, artists wanted to shake off the stigma of elitism from glass art, so they offered thousands of euros worth of unique glass to the public on the principle of “the finder gets to keep”.
Infinity Vessel contemporary art project pushes the limits of the ancient art of glass. A documentary about the birth and reception of the Infinity Vessel is also being made, directed by Ditte Uljas. The project is part of Corning Museum of Glass’s collection in New York.
The next Infinity Vessel show will be arranged in Detroit 2023 as the movie will be premiered in the Glass Art Society’s annual conference. The Noa Milo sculpture is also exhibited at Art Miami at the Berengo Studio’s booth in November 2022.
Welcome to Design Helsinki! Sini Majuri will exhibit at the International Design Pavilion at Kasarmitori, Helsinki. During the two day event 24 – 25.8 you can meet Sini at the booth B17 and see her latest collections of contemporary glass! Join the show and get your entry ticket from here.
With expansive global reach spanning architects, interior designers, dealers, retailers, specifiers and more, Design Helsinki will be Media 10’s first Nordic event and will showcase leading Finnish and international interiors brands presented in a series of showroom events, exhibitions and specially commissioned installations around the city centre. Taking place 24-25 August, Design Helsinki will highlight the profound influence that Scandinavian design and its commitment to sustainability has on the architecture and design industries.
Featuring an unmissable programme for design, the two-day festival will bring the area to life with festivities to match. Immersive installations will line the streets, a curated exhibition will showcase the latest contemporary design products, delectable food and drink partners will offer a variety of discounts and deals, topical talks will highlight the industry’s most pressing issues within the city’s famed Design Museum and much more. The event will celebrate the area’s local design showrooms who will welcome architects, designers, dealers, retailers and more through their doors with a jam packed programme of events.
Design Helsinki will be a fun-filled design festival consisting of 1 international pavilion featuring 40+ leading brands, 40+ resident design showrooms, engaging installations, topical talks with leading creatives, hundreds of programmed events and tantalising deals across Helsinki’s restaurants and bars.
Sini Majuri is the founder of a project that takes Finnish glass to The Venice Glass Week in September 2021. FRESH – Contemporary Glass From Finland presents eight glass professionals; artists with decades of experience as well as new talents. Each with a unique, recognizable style in using glass as a medium for their artistic expression. The FRESH exhibition at the Bel Air Fine Art gallery will take place from 4 to 12 September 2021. The unique works of art included provide an exquisite cross-sectional view to contemporary studio glass from Finland. The FRESH team also arranges multiple glass demo’s in Berengo and Wave Studio in Murano as well as lectures during the glass week.
FRESH – Contemporary Glass From Finland exhibition presents a harmonious aesthetic of the North, which meets a delicious use of materials and weightless expression. Created in the artists’ studios, the works have been born of universal themes such as time, memories, emotions and nature. At the same time, they convey a laid-back and happy, playful even, approach to glass as a traditional artistic material. The artists all share a passion of producing high-quality Finnish studio glass objects, inspired by a fresh and bold new approach. The exhibition is an aesthetic and fragile, yet abundant and open-minded ensemble that complements the overall program of the Venice Glass Week.
FRESH is quality of expression. FRESH represents new contemporary glass art from Finland. The works have been made in well-known Finnish studios: Mafka&Alakoski, Lasismi, Glass Studio Hytti and Lasikomppania Glass Cooperative. The FRESH group also arranges multiple demonstrations, lectures and online events during the glass week.
Exhibition opening. Bel Air Fine Art. September 4th at 17 PM
FRESH – Contemporary Glass From Finland exhibition. Bel Air Fine Art, Dorsoduro. Dorsoduro, 728 – Dorsoduro I-30123 Venice. From September 4 to September 12
Demo in Wave Studio, Murano: Sini Majuri, Marja Hepo-aho, Paula Pääkkönen. September 4th. From 10-00 AM – 14.00 PM. Wave Murano Glass Srl – Ramo da Mula 5/1 – Murano
Lecture: Graal: Visual Poetry. Sini Majuri. September 5th. From 13 PM to 14 PM. Hotel Saturnia International, Conference room.
Lecture: Marja Hepo-aho. September 5th 2021. 14.00 PM to 15.00 PM. Hotel Saturnia International, Conference room
Demo in Berengo Studio: Sini Majuri. Etiäinen. Berengo Studio. Murano. September 6. From 15 PM to 16 PM. Berengo Studio, Fondamenta dei Vetrai 109/a, 30141, Murano, Venice
Demo in Berengo Studio: Marja Hepo-aho. Eternal and fragile. Berengo Studio. Murano. September 6. From 16 PM to 17 PM. Berengo Studio, Fondamenta dei Vetrai 109/a, 30141, Murano, Venice
Demo in Berengo Studio: Paula Pääkkönen. Delicious delicacies. Berengo Studio. Murano. September 6. From 17 PM to 18 PM. Berengo Studio, Fondamenta dei Vetrai 109/a, 30141, Murano, Venice
Guided tour FRESH – Contemporary Glass from Finland September 7thFrom 14 PM to 15 PMBel Air Fine Art, Dorsoduro
Sini Majuri designs a collection of glass vessels for DutZ Collection. Bumpy vases are created in blue, gold and grey color. The collection is awarded with a Silver A’Design Award from Italy in 2021.
Collection plays with contrasts. High quality meet rough glass shards that look as ornaments when placed on the rim of the vessel. Calm Scandinavian color palette brings harmony to the studio made vases that are inspired by the textures of melting ice. The concept of the design is to flirt with organic shapes and poetic glass medium.
Bumpy vases are mouth blown and shaped by hand.
Bumpy vase finds its place on the windowsill, side table or as a gorgeous centre-piece on the dining table. This model is suitable for just one flower branch, but it is also beautiful with nothing at all in it. Unique Bumpy vase fits well in every interior.
The Flow edition gains inspiration from the elegance of the movement of liquid glass that is frozen into a stasis that is fragile yet forever. The rhythm of the glass making process ensures that every vessel has unique splashes of color that mimic the dance of brush strokes of abstract impression. Every vase has their own breath. It’s a methaphor for a soul of a piece that makes it more than mere interior object. Flow is a 3th edition of Sini Majuri’s Jungle series that has been awarded with a Golden and Silver A’Design Award.
Flow collection mixes Scandinavian cool with capricious Finnish glass blowing techniques that allow color flow freely within the glass layers. Collection has three shapes and the design is available in green, blue and purple. Studio made vases are signed by hand and numbered.
A simplified shape can become multi-dimensional in glass medium; There is the visual layer of glass: how does the glass reflect, how will the colors look in different light. Above all there are also the historical layers of glass, the origin of Finnish glass making and the rare knowledge behind the craftsmanship.
Inquiries of the Flow Collection via email. Manufacturing time of orders with more than 10 objects is 2 weeks. For international orders, please ask for a quote with shipping fee.
1000 VASES exhibition in Dubai presents a unique selection of vases in the Dubai Design District during the Art Dubai 2019 Festival. Sini Majuri has been invited to take part to the international show with her latest edition of the Jungle Collection.
Sini Majuri’s glass vase collection Jungle was first introduced by DutZ Collection in 2018 and exhibited in design fairs around Europe, China and Japan. In 2019 there will be 3 new models premiered in Dubai. The theme in the new pieces is “Rainforest”. Eacn object is solid glass and shaped by hand. The technique used is Timo Sarpaneva’s Steam Stick.
The event redefines both the space of the exhibition and the very presentation of an object, here the vase: a functional, everyday object that rises to the rank of fine-art object thanks to the work and imagination of these designers. This medium is therefore perfect to show all the plurality of the artistic scene today.
The public will be invited to discover, throughout the duration of the exhibition, the creations of young independent designers: unique pieces, made in a multitude of materials and reflecting the personality, the universe and the sensitivity of each.
This overwhelming volume of vases compels us with its richness, its diversity and reveals to us all the artistic expertise of these creators. A profusion of vases which is nothing less than the reflection of the inventiveness and the creative intensity which they show, provoking in us this much desired emotion.
To show the singularity of each designer while confronting him with what surrounds him to better understand the dynamism of the current creation, is at it’s core, the philosophy of the project 1000 Vases.
19 – 25.3.2019 Opening 19.3. At 6.30 – 9 PM
Dubai Design District (d3) Atrium of building No.7 PO Box 333 300 Dubai, United Arab Emirates GPS: Lat: 25.18629 Lng: 55.29914
A lakeside view opens through the huge windows of Harbourfront Centre in Toronto. Behind the centre rises the CN Tower, the landmark of the city. The building, surrounded by skyscrapers, is filled with Scandinavian art. The self-portraits of Iiu Susiraja cover the walls of the Portraits at Home exhibition. The next space is occupied by massive ceramic works of Anders Herwald Ruhwald. The exhibition, called The Hand is the Mind is the Bomb that Blows, lives up to its name. Nordic Glass gathers up nine skilled Nordic glass artists, who rewrite the history of Nordic glass in the 21st century.
The description of the exhibition:
Nordic glass was at a high point in the mid-20th century. Famous glass factories like Orrefors, Iittala, Holmegaard and Kosta Boda; and designers such as Tapio Wirkkala and Alvar Aalto were synonymous with good design and refined taste. This heyday created distinctive identities for all four countries—Norway, Sweden, Denmark and Finland—and collectively added to the Scandinavian Modern aesthetic. Sadly, few of the glass factories remain due to market pressures and outsourcing. However, these economic realities have not lessened the association of well-designed and crafted glass within Nordic countries. The situation has given rise to a bright new generation of glass artists and designers; ones with independent spirits focused on self-expression, experimentation and entrepreneurship. This exhibition highlights a group of glass artists shaping the future of Nordic glass for the 21st century.
My objects in the exhibition are glass mountains. These interior design sculptures can be organized to form either scenic ensembles, glass installations or mental landscapes. Glass imitates the characteristics of ice by frosting and cracking. It is the aesthetic of quietness.
During my journey I had the also the chance to visit New York and meet with design gallerists. I was delighted to visit for example Usagi Gallery, where my Sade sculpture was on display during the NYX Design event. Meeting with my contacts in Toronto also gave ideas to some possible future collaboration projects. It was extremely interesting to visit design and art businesses both in Toronto and New York as well as glass galleries of northern parts of USA. Glass was blown in tourist attractions, schools and culture centres. The Nordic Glass exhibition is open in Toronto until the summer of 2019. Welcome!
It has been inspirational journey to design a line of luxury vases for Dutz Collection. The 9 object collection will tour European design fairs during 2018. As a Finnish glass designer it is a great joy to see that a series of high quality studio glass is introduced in commercial setting with a strong message: quality is value. Here is a glimpse to the first prototypes made in Riihimäki. The collection is inspired by the nature.
In this prototype I have wanted to capture the feeling that I have when I look at the nature, green treetops of old oaks. How the leaves are moving. How does it sound like. (Pics. Sini Majuri, Veikko Väänänen)
The premise of my glass design is to create objects that gain their value from the quality, design and material. My ambition has always been to create future classics. When I started to design the vase collection to Netherlands, I really wanted to capture the beauty of the glass material. I wanted the shapes to reflect serenity of the medium and to be weightless and strong at the same time.
The core of the collection is to create pieces that have soul: The vases are mouth blown and shaped by hand, signed and numbered. Each piece has unique color play inside the glass.
Sometimes a very simple object can became multi-dimensional, when you use glass medium. There is for example the visual layer of glass: how does the glass reflect, how will the colors look in different lighting. Above all there are also the historical layers of glass which comprice the origin of Finnish glass making and the rare knowledge behind the craftsmanship. It is interesting to contemplate the project from these perspectives and say once again: Quality is value!
Pic. Heidi-Hanna Karhu
On ollut kiinnostava projekti suunnitella hollantilaiselle Dutz Collectionille korkealaatuinen mallisto sisustuslasia. Yhdeksänesineinen kokonaisuus lähtee kiertämään eurooppalaisia design-messuja vuonna 2018. Suomalaisena lasimuotoilijana on ilo nähdä, kuinka Riihimäellä käsityönä valmistettua lasia viedään suurina erinä rohkeasti kaupallisille areenoille näin viestien: Laatu on arvoa!
Lasimuotoilussani lähtöajatuksena on aina ollut suunnitella esineitä, jotka kestävät aikaa: tulevaisuuden klassikoita. Harvinaislaatuisella käsityötaidolla veistetyt esineet viestivät alkuperän tärkeydestä, koska niissä käytetään puhtaita materiaaleja ja ne on suunniteltu ajatuksella materiaalin parhaita ominaisuuksia hyödyntäen, signeerattu ja numeroitu.
Kokonaisuuden teemana on luonto ja sen tunnelmat. Olen saanut suunnitteluuni inspiraation kotiseutuni vanhoista puista ja metsien äänimaisemista. Dutz Collectionin mallistossa esineet ovat massiivista, jopa veistoksellista lasia. Ne ovat muodoltaan samalla vahvoja ja keveitä. Joskus hyvin yksinkertainen muoto voi olla moniulotteinen, kun käytetään lasimateriaalia, koska lasin visuaalisuus heijastaa, peilaa ja antaa mahdollisuuden läpinäkyvyydellä leikittelyyn. Suupuhallettua lasimallistoa voi tarkastella myös suomalaisen lasinvalmistuksen historiaa vasten todeten: Laatu on arvoa!
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