Sini Majuri made her debut on Danish television network DRTV’s program, “Verdensdamerne: Nordisk minimalisme og flammende glas i Helsinki,” a show that brilliantly showcases the beauty of Helsinki through its classical design and vibrant drag artistry. This intriguing blend of contrasting styles offers viewers a unique and colorful perspective on the city’s cultural landscape and brings together three captivating women, Lotte Freddie, Bente Scavenius, and Merete A. Baird, each with passion for exploring different cultures. See the episode from here.
Sini Majuri was invited to share her expertise on the program, introducing the viewers to the world of glass artistry as well as Suomenlinna sea Fortress. Majuri demostrated a graal technique, an ancient glassblowing method characterized by its intricate layering and time-consuming process.
Read an article Forging Art From Molten Glass by wonderful Penelope Colston from The New York Times with the images taken by Vesa Laitinen. Majuri’s art blends modern technology with traditional glassblowing techniques. Her Suomenlinna workshop, set in a historic UNESCO island fortress, serves as the backdrop for crafting pieces exploring themes such as human nature and femininity. Read the article from here.
Infinity Vessel glass crowns can be ordered online. Every piece is custom made to the person’s head. Also the earrings and the dress are made by hand. Image by Vesa Laitinen.Mirrored can be found from Taiko online gallery. Image by Vesa Laitinen.
The New York Times feature is Sini Majuri’s childhood dream come true. Majuri, hailing from the rural town of Suonenjoki, overcame the challenges of learning English in a small town where it wasn’t the easiest task. Her childhood dream of reading the New York Times in English marked the beginning of a journey that led her to the very pages of the renowned publication. Majuri expresses her love and gratitude, acknowledging the invaluable support of her closest colleagues and friends. Marja Hepo-aho, the glass art sorceress, played a pivotal role, along with the entire team behind the Roboballet project, including dancer-choreographer Mira Ollila, Heidi Lehtoranta, Petri Pulkkinen, Janne Jääskö, Craneworks, and Aalto University’s Joni Pajarinen and his research team. A heartfelt nod also goes to Berengo Studio for opening its doors to the Infinity Vessel project, providing a space where teams creative visions could flourish. The journey wouldn’t be complete without acknowledging the pivotal roles played by Hytti Glass Studio and the Suomenlinna community, both integral parts of Majuri’s artistic family. These collaborators have consistently provided support, inspiration, and a nurturing environment for her groundbreaking work. Gallery G12’s Anni Koskinen, where she held her first exhibition in Finland, as well as to Keskusgalleria in Tampere for warmly showcasing her sculptures. Gratitude was also extended to Momono and Taiko Galleries. Special mentions went to Suonenjoki City and her family for unwavering support throughout her life’s journey. The realization of Majuri’s childhood dream is not just a personal triumph but a collaborative spirit!
In the video made by OneMinStory, glass artist Sini Majuri reveals the symbolism and inspiration behind the award piece as she shapes it in the historic surroundings of Suomenlinna.
It was a great experience to design an award for the Finnish Family Business Association. The choice of using mouth-blown glass as the material for the award resonates with the heartbeat of family entrepreneurship. Glass, a globally rare art form with a nomination pending for UNESCO’s Intangible Cultural Heritage list, echoes the delicate balance of strength and fragility. It’s a dance of temperature and timing, much like the steady pulse that sustains a living being. In each glassblower’s breath, there’s a rhythm that shapes the material, paralleling the heartbeat of family-run businesses that throb with passion and dedication. Each generation brings its unique breath to the process, infusing the business with fresh ideas while maintaining the warmth of tradition.
Hearth is not just an organ that sustains life. It’s a universal emblem of love, passion and enduring strength – qualities intrinsic to the soul of family entrepreneurship – lifeblood of commitment and the pulse of generations working harmoniously.
Since the establishment of the award in 2004, and its renaming in 2012 as the Peter Fazer Award, the award celebrates the symbiotic relationship between tradition and innovation. This year’s recipient, MSK Group Oy, stands as a testament to this idea. As a multifaceted high-tech family enterprise, they exemplify the heart’s resilience – pulsating with a blend of heritage and modernity, echoing the continuous rhythm of progress.
Blowing the Glass Award for Family Businesses in the Historic Suomenlinna Glass studio Hytti.
The creation of the glass heart, a process rich in tradition and precision, was a narrative beautifully captured by Antti Sipilä and Samppa Fjäder from OneMinStory‘s team. Their documentation brought to light to the artistry of glassmaking. It’s interesting how the development of lenses, a milestone in human history, was predicated on the mastery of glass, illustrating the profound influence this material has had on our perspective of the World. Similarly, family businesses embody a cornerstone technology within the social fabric.
In every family business, like in the breath-controlled art of mouth-blown glass, there’s a steady, rhythmic beat of adaptability. This glass heart reflects the enduring spirit of these enterprises. It’s not just a symbol of recognition; it’s a metaphorical echo of the heartbeat that drives family businesses. In the core of every endeavor, there lies a pulse, a steady throb of identity and passion, pulsating towards a future that reveres its past while boldly embracing the new.
The video of the process is by OneMinStory.
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Snake-shaped chandeliers that weep tears, symbolize the complexities and struggles of domestic life. Snake is a symbol of rebirth and transformation, and a metaphor for the primal, animalistic urges that lie dormant within us. In many cultures, snakes are seen as both symbols of healing and destruction.
Homes are more than mere structures that we inhabit. For they serve as reflections of our innermost thoughts, emotions, and concealed identities. Sini Majuri’s latest sculpture series delves into the non-physical dimensions of our existence.
Sini Majuri’s glass exhibition is open in G12 Gallery in Helsinki from April 22 till May 11, 2023. Pieces blend the tangible and intangible, the old and new, and the handmade and digital. By blurring the lines between art and science, Majuri hopes to capture the ever-evolving nature of art and the human experience – and challenge viewers to consider is it possible that technology could unlock new depths of creativity – Or will it ultimately lead to a loss of authenticity and soul?
The glass sculptures portray layers of feminine countenances of the human psyche. By toying with ugliness and beauty, these works invite to think about the intricate nature of human perception and the multifaceted dimensions of aesthetics. Similarly, the image of a woman with layered faces represent the different roles that women play in society, as well as the complex nature of femininity itself.
Majuri’s work portrays homes as both a sanctuary of comfort and a site of trauma, using symbols like the weeping serpent and layered women to represent the nature of our subconscious. Glass, with its transparency and fragility is a metaphor for the human mind, which is complex and multifaceted. We may curate our homes to reflect a certain image or ideal, but behind closed doors, there may be hidden struggles and complexities that we keep hidden away from view. Antimatter series is showcasing both the light and the dark aspects of domestic life. While Finland ranks as the happiest country in the world, domestic violence remains a significant problem. The transparency of glass reminds us that what we see on the surface may not always be the full story.
Antimatter series mirror the theme of Homes, how they are the vessels of our being, the repositories of our memories, for they are more than mere structures that we inhabit. Sculptures also offer a reminder that healing and growth are possible, even in the face of trauma and adversity
Glass as a medium highlights the idea of transparency and the power of seeing through barriers. In the same way that glass reveals what lies beneath its surface – sculptures invite viewers to explore the hidden layers of our own consciousness and the stories that we often keep concealed. Transparency underscores the importance of vulnerability and honesty in our relationships, both with ourselves and with others. Glass is a material that is both fragile and strong, transparent and reflective. These qualities are a metaphor for the contradictions and paradoxes that we encounter in our lives.
Sini Majuri’s Artist Meet 4.5 at 12.00 in G12 Gallery, Annankatu 16.
Listen Sini Majuri’s interview in Radio Helsinki from here.
Infinity Vessel boldly steps onto the catwalk at New York Fashion Week on February 2024. The Flying Solo fashion show, which is held annually on the roof top surrounded by skyscrapers, gathers a global coverage of current fashion. Infinity vessel is exhibiting an eight-piece collection of wearable glass sculptures, such as crowns that explore femininity and the state of society. Glass crowns can be made-to-order from the master craftsmen of the Infinity Vessel project.
The Flying Solo show is one of the most cutting-edge fashion events during New York Fashion Week presenting a wide array of womenswear, menswear and accessories. Every season, Flying Solo discovers new talented independent designers from across the globe. The show has been featured in Fashionista, The New York Times, The Huffington Post, Vogue, Marie Claire, Nylon, and Harper’s Bazaar.
Glass crowns exshibited in the NY Fashion Week Flying Solo catwalk show are handmade in FinlandScandinavian design crowns are made-to-measure pieces
When a machine looks back at us, what does it see? Join us on February 1 – 2.2023 at the Suomenlinna sea Fortress in Helsinki to see how dance artist Mira Ollila interprets the shades of humanity while dancing with Boston Dynamics Spot robot. Roboballet is a new chapter in the Infinity Vessel series by glass artists Sini Majuri and Marja Hepo-aho, where contemporary glass is intertwined with dance and technology. THE ROBOBALLET SHOWS ARE FULL.
Dive into the interactive hologram piece and sculpture exhibition which will spread out in Tenalji von Fersen hall. Exhibition will be open for two days: February 1 – 2. The intensive ten minute dance performances are held at regular intervals. The exhibition and show are open and free to the public.
The ballet’s music is composed by Petri Pulkkinen and Janne Jääskö the holoprojections and interactive art of the work are produced by Craneworks Oy. The choreocraphy of the dance is by Heidi Lehtoranta and Mira Ollila. Robotics has been implemented in collaboration with Aalto University’s robotics department.
THE ROBOBALLET SHOWS ARE FULL.
The exhibition space is located on the upper floor, which is accessed by stairs. Those who need a lift are asked to register in advance so that we can arrange staff to help.
Mira Ollila dances with a Boston Dynamics Spot in the Roboballet
In Finnish
Kun robotti katsoo meitä, mitä se näkee? Tanssitaiteilija Mira Ollila tulkitsee ihmisyyden sävyjä tanssiessaan Aalto Yliopiston robotiikan laitoksen ohjelmoiman Spot-robotin kanssa. Teos on osa lasitaiteilija Sini Majurin ja Marja Hepo-ahon Infinity Vessel-kokonaisuutta, jossa klassiset taiteen alat sekoittuvat nykyteknologiaan. Interaktiivisen teoksen musiikin ovat säveltäneet Petri Pulkkinen ja Janne Jääskö. Teoksessa laulaa Hanna Wendelin. Craneworks Oy vastaa kokonaisuuden holoprojisiosta.
Tanssiteos kestää 10 minuuttia (järjestetään tasatunnein) ja on osa Tenalji von Fersenin saliin levittäytyvää veistosnäyttelyä, jossa hologrammi taide yhdistyy klassiseen lasiin ja ihmisten ilmeisiin keinoälyn välityksellä reagoivaa musiikkimaisemaa.
Esteettömyys: Näyttely sijaitsee Tenalji Von Fersenin salissa, jonne on käynti portaita myöten. Hissiä tarvitservia pyydetään ilmoittautumaan etukäteen, jotta voimme ohjeistaa rakennuksen sivustalla sijaitsevan hissin käytössä.
Would you like a small piece of art to adorn and enhance your home? The Orinnoro collection now offers customization options for its petite glass jars, which comes with a lid and cast broze pinecone. Customers can select their preferred glass colors for both the jar and the lid to match their personal tastes. To commission your piece, either call, send an email, or effortlessly connect through our contact form at the link.
The bronze pinecone is cast from studio-made bronze, ensuring meticulous attention to detail and unmatched quality. Alongside jazzing up the colors of our petite Orinnoro pieces we also offer the option to order grander pieces from the collection, featuring intricately integrated bronze/glass chandeliers. They’re a bit more of a project to put together, but so worth it. Fancy knowing more? Just hit up Sini, she’s got all the answers.
Every petite Orinnoro is crafted by hand in Finland, signed and numbered. Choose from our spectrum of colors, including two opaque opal options and seven clear shades, to adorn both the lid and the base. When you’re ready, reach out to usIn the image there are Opal turquoise lid and pink base glass.
It’s crucial to note that glass, being a dynamic medium, doesn’t adhere to a static color spectrum. Lighting conditions can significantly influence the appearance of its color. Therefore, it’s essential to appreciate that the colors of artworks crafted from glass are invariably unique.
Begin by exploring our diverse color range with two rich opal shades and seven vibrant transparent colors for your choosing. Once you’ve curated perfect combination for both the jar’s lid and base, simply contact us through phone, email, or our online form to place your order. After confirming every nuance of your request, we will meticulously craft your personalized jar. Soon, a distinct Orinnoro piece, echoing your chosen aesthetic, will arrive, ready to enrich your space.
Orinnoro is a tribute to the Orinnoro gorge of Leppävirta in my home region in Finland – symbolizing the depth, resilience, and timelessness of nature. It mirrors the world of glass: a material, like a gorge, is shaped by time, pressure, and artistry. The pinecone, a seemingly modest harbinger of nature’s quiet yet profound mysteries has been emblematic of the mathematical intricacies inherent in our universe. Each delicate scale, harmoniously arranged in nature’s precise algorithm, whispers tales of age-old wisdom and the intrinsic patterns that dance silently yet potently through all existence.
Each customized small Orinnoro item is set at €1350. Please note that this price does not include VAT and shipping costs. For a comprehensive quote encompassing all fees and to inquire about the current lead time, do not hesitate to reach out.
The grand Orinnoro pieces
Within the larger Orinnoro pieces, a delicate balance is masterfully achieved as weighty bronze crystal chandeliers and sculptures are seamlessly integrated within the glass. These grander items, with their intricate details and pronounced presence, serve as statement pieces for any space. Contact Sini to hear more about the large Orinnoro objects.
Welcome to Design Helsinki! Sini Majuri will exhibit at the International Design Pavilion at Kasarmitori, Helsinki. During the two day event 24 – 25.8 you can meet Sini at the booth B17 and see her latest collections of contemporary glass! Join the show and get your entry ticket from here.
Sini Majuri will exhibit her award winning collections of glass, for example the Pikku vase made in Suomenlinna, Helsinki.
With expansive global reach spanning architects, interior designers, dealers, retailers, specifiers and more, Design Helsinki will be Media 10’s first Nordic event and will showcase leading Finnish and international interiors brands presented in a series of showroom events, exhibitions and specially commissioned installations around the city centre. Taking place 24-25 August, Design Helsinki will highlight the profound influence that Scandinavian design and its commitment to sustainability has on the architecture and design industries.
Featuring an unmissable programme for design, the two-day festival will bring the area to life with festivities to match. Immersive installations will line the streets, a curated exhibition will showcase the latest contemporary design products, delectable food and drink partners will offer a variety of discounts and deals, topical talks will highlight the industry’s most pressing issues within the city’s famed Design Museum and much more. The event will celebrate the area’s local design showrooms who will welcome architects, designers, dealers, retailers and more through their doors with a jam packed programme of events.
Design Helsinki will be a fun-filled design festival consisting of 1 international pavilion featuring 40+ leading brands, 40+ resident design showrooms, engaging installations, topical talks with leading creatives, hundreds of programmed events and tantalising deals across Helsinki’s restaurants and bars.
My exhibition Etiäinen reflects the beliefs and customs related to visiting traditions in Northern Savonia, mixing these with the pandemic experience. The dreamlike works are created from mouth-blown glass in Riihimäki, Suomenlinna and Nuutajärvi. Etiäinen, which premieres in the Kellarikalleria art gallery in Suonenjoki, is supported by the Finnish Cultural Foundation. Join the Virtual 360 exhibition by Rautalampilehti from here.
Cell-series. Join the virtual exhibition by clicking the image above. Pic by: Markku Leskinen, RautalampilehtiOrinnoro series. Pic: Tuire Punkki, Savon Sanomat. Click the image above to read the entire article from the Savon Sanomat newspaper.
The exhibition also highlights the cooperation in the field of Finnish studio made glass. I have worked with Kari Alakoski and Marja Hepo-aho from Riihimäki for years now. They specialize in the creation of massive sculptural glass. For example the voluminous Cell and Orinnoro series are blown by these master glass blowers. The Miekkavesi sculpture also has a special mixture of two very different mediums: fish skin and blown glass. Designer and cobbler Tytti Porvari from Mikkeli has made a fish skin belt for the glass sculpture. There are also multiple layered graal sculptures blown by me in Lasistudio Hytti ry, in Suomenlinna island. The exhibition venue, Kellarikalleria also has a special role in my journey as an artist. It is the very firs place I have seen art as a child.
The Mayor of the town of Suonenjoki, Juha Piiroinen opened the exhibition in Kellarikalleria gallery. Pic by Olli Kokander.Tytti Porvari finishing the Miekkavesi sculpture that combines blown glass and fish skin belt. Pic by Jari IkonenSee a video from the exhibition by YLE by clicking the image above. Pic: Marianne Mattila, YLE
I have collected material for the exhibition through newspaper ads as well as local social media, asking what sort of customs people have in their family. For example, coffee drinking has a rich tradition. It is very precise which cup is offered to the guest or how when after the invitation it is appropriate to go to the coffee table. Also, if the spoon, a knife or a fork falls to the floor it can predict weddings, male or female guests.
In some families, Grandma knew to make coffee before the guests arrived because she had Etiäinen. The footsteps walked inside and sat in the living room for coffee. The quest soon walked in. Etiäinen, the name of the exhibition means an impression of a person, that walks before us, doing everything we are about to do before us. It’s in a way a living shadow of a person.
One important story in the exhibition is by a 17 years old woman that was planning a small wedding party with her sister during the first months of the Pandemic. She wondered if soap bubbles can spread the virus; How something innocent and beautiful can become frightening. This theme is mirrored in the Cell-sculptures of the exhibition.
Kahvi-sculpture mirrors the coffee drinking traditions, etiäinen-omens and pandemic experience as a dream like scene. Pic: Tuire Punkki, Savon Sanomat. Read the article from the link
The exhibition is open in Kellarikalleria, Suonenjoki 2 – 24.6.2021. After this it will continue to Gumbostrand Konst&Form in Sipoo and Art Museum Eemil in Lapinlahti.
Sini Majuri designs a collection of glass vessels for DutZ Collection. Bumpy vases are created in blue, gold and grey color. The collection is awarded with a Silver A’Design Award from Italy in 2021.
Collection plays with contrasts. High quality meet rough glass shards that look as ornaments when placed on the rim of the vessel. Calm Scandinavian color palette brings harmony to the studio made vases that are inspired by the textures of melting ice. The concept of the design is to flirt with organic shapes and poetic glass medium.
The collection is inspired by the melting ice. The icy texture in every vessel has it’s special charisma. The shape of the vessel is oval. Every piece is mouth blown and shaped by hand.
Bumpy vases are mouth blown and shaped by hand.
Bumpy vase finds its place on the windowsill, side table or as a gorgeous centre-piece on the dining table. This model is suitable for just one flower branch, but it is also beautiful with nothing at all in it. Unique Bumpy vase fits well in every interior.
Contemporary Glass Art 
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