Icy glasses by Sini Majuri

The new edition of drinking glasses by Sini Majuri are inspired by Nordic nature.
Each Icy glass has it’s own breath and charisma because the movement of the ckracking ice is frozen inside the glass during the glass blowing process. The combination of smooth and cracked surface flirts with light and shadow. The design project is supported by Taike, the Arts Promotion Centre Finland.

The Icy glasses are perfect for serving chilled drinks and cocktails. Studio made drinking vessels are expertly handcrafted in Finland. Each mouth blown object has unique icy surface texture and is signed by hand. The design philosophy behind Icy series is to create elegant, timeless and durable everyday objects. The glasses gain their value from their high quality and design.

Icy glass collection studies old glass blowing tech with Norden mood. Each piece has a unique broken surface that mimics melting and frosted texture of ice. The technique used is called crackle and it was developed in Venice in 16th century.
Icy glasses are inspired by the atmosphere in Lapland.

The designer tumbler with Scandinavian aesthetics offer a satisfyingly weighty feel in the hand. The moment when a unique Icy glass is used is special. When light is gleaming trough the glass with icy texture, the shadow looks like moving water.

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Icy glasses are studio made in Finland. Glasses are signed by hand.

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Purple color edition of Icy glass has a soft color hue that highlights the unique surface texture.

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Dimensions: 8 Ø x 10 H cm
Available in clear and purple colour.
Made in Riihimäki, Finland.

 

 

Sini Majuri wins three A’ Design Awards from Italy

A’ Design Award and Competition is the worlds’ largest design competition awarding best designs, design concepts and products & services. Image by A design Award.

Sini Majuri has been honored with two renowned Silver A’ Design Awards and one Iron Award. The Rainforest glass series won the Silver from Furniture, Decorative Items and Homeware Design Competition. Also Majuri’s work Iceberg won a Silver Award at Arts, Crafts and Ready-Made Design Competition Category. The Iron award was given to Majuri’s Spike lamp design at Lighting Products and Lighting Projects Design Competition Category.

The collection aims to create vases that have unusually thick glass as their material. The space for inner part of the vase is minimized. Almost hidden. This makes the vases appear voluminous, yet light.

The Rainforest vases are a mixture of 3D designed shapes and traditional Scandinavian steamstick technique. The hand shaped pieces have extremely thick glass with weightlessly floating splashes of color. The studiomade collection is inspired by the contrasts of nature, and how it creates harmony.

The A’ Design Competition is organized annually in Como, Italy. Image by A’Design Award.

The Silver A’ Design Award is a prestigious award given to top 5% percentile designs that has achieved an exemplary level of originality in design. Entries to the A’ Furniture Design Awards are peer reviewed and anonymously judged by an expert jury panel of prominent academics, important press members and experienced professionals. Nominated furniture designs are voted on pre-determined evaluation criteria to highlight only the leading furniture design works.

Icebergs are interior sculptures. By connecting mountains, it is possible to build mountain ranges, mental landscapes made of glass. The surface of each recycled glass object is unique. Thus, each object has a unique character, a soul. Sculptures are handshaped, signed and numbered in Finland. The main philosophy behind the Iceberg sculptures is to reflect the climate change.

Spike lamp plays with contrasts. It is inspired by punk culture and calm Scandinavian mood. It is a voluminous piece, with warm light that is focused into a small pointy area under the piece. The Spike lamp has a aggressive appearance because of the metal spikes pointing towards the viewer. At the same time there is something calm about the smoothness of the ceramic surface and warm light. The lamp creates tension in a interior. Like an individual from a subculture.

The object is made in a two sided plaster mold by JP Studiokeramiikka. The outer surface of the ceramic object is spray glazed. The light is a dimmable LED. The diameter of the ceramic part is 350 mm x 320 mm. With the spikes the diameter of the lamp is 450 mm x 370 mm.
The Spike lamp has a aggressive appearance because of the metal spikes pointing towards the viewer. At the same time there is something calm about the smoothness of the ceramic surface and warm light. The lamp creates tension in a interior.

A’ Art Design Award aims to highlight the excellent qualifications of best art designs and greatest art design concepts worldwide. The A’ Design Accolades are organized and awarded annually and internationally in multiple categories to reach a wide, design-oriented audience. The ultimate aim of the A’ art Design Competition is to create a global awareness for good design.

Sini Majuri in A’Design Award Grand Jury

Sini Majuri will be in A’Design Awards Grand Jury for the 2020 – 2021 competition after winning a Golden award from the competition in 2019. A’ Design Award Grand Jury Panel brings together the World’s leading design professionals, prominent academics, influential press members and leading experts in industry to recognize, cherish and value good design products, projects and services. A’ Design Award jurors are fully committed to acknowledge and distinguish good design in all its forms.

Sini Majuri will represent Finnish design in the award Jury.
The award ceremoni will be held in Italy in 2021.

The mission of the A’ Award and Competition is to provide a fair, ethical and competitive platform for companies, designers and innovators from all design fields with different experience levels, diverse disciplines and market focus to compete on, while providing them a global audience to showcase their success and talents to. The A’ Award and Competition aims to act as blender; to bring together designers, companies and the press. Learn why it is called A’ (A-Prime) Design Award.

For 2020 – 2021 there are 219 Jury Members forming the International Design Academy – The Grand A’ Design Award Jury Panel – The World’s Largest and Most Influential Design Award Jury. Sini Majuri will represent Finnish design and glass making in the jury. She is also the only jury member from Finland in 2020.

There are 218 Jury members in the 2020 award edition. The international award is based in Italy.
The annual gala is one of the worlds largest design events.

A’ Design Award and Competition is the worlds’ largest design competition awarding best designs, design concepts and products & services. The motto of the A’ Design Awards is “Ars Futura Cultura” i.e. Arts Cultivate the Future, Arts for the Culture of Future. The future is shaped by arts, design and technology, thus there is need of good design for a better future.

Cassiopeia lamps for Salone del Mobile, Milan

59th edition of the Salone del Mobile is postponed to 2021.
Cassiopeia lamp is made from recycled Iittala factory’s glass.

It’s inspirational to be part of the Salone del Mobile 2020, internationally known as Milan Furniture Fair. Last year I visited Italy several times because of Venice glass week and A’Design Awards. I feel fortunate to be able to return once again! The Italian design atmosphere is wild and wonderful. After every visit my mind is full of new ideas for glass.

The bumpy surface of the Cassiopeia lamps looks like ice.
The first Cassiopeia item can also be found from Bukowskis online auction
that is open till 4.2.2020. The material is recycled glass.

One of the projects that I will exhibit at the fair will be Cassiopeia. In the Glass Studio Hytti that is located at Suomenlinna fortress island, we use recycled Iittala Factory’s glass. In Cassiopeia I wanted to create an organic shape by gathering large glass sharts on the surface of the piece. This gives the object extremely rough texture that is carefully melted until all the sharp edges have been smoothed into bumpy ice like overlay.

The early prorotypes of the Cassipeia can also be found from Unionin26 design shop in Helsinki. It’s good to get some feedback before the trip to Milan, because there is still time to make the final adjustments to the project. I’m specially interested to highlight the recycled material as the basis of the design. There is somethign poetic about using broken glass as the material of a new piece.

Where to find:

  • Salone del Mobile 2020, Milan
  • Sini Majuri Webshop

Salone del Mobile Milano is postponed to 2021.

Gem and Spike lamps exhibited in Tendence fair, Frankfurt

There was a heat wave in Frankfurt, so it was good to walk to the exhibition center early in the morning before the temperature rised to 40 Celcius. A total of 603 exhibitors presented their fashionable lifestyle and trend products at the 3-day lifestyle fair. My booth was in the Hall 8.

I exhibited two new lamp concepts at the exhibition. The 35 cm wide Spike lamp has a “bad attitude”. It is studio made from ceramics and metal. Orders are available via online message.
The second new piece was the emerald green Gem lamp that is shaped by hand and has a dimmable LED light. Every lamp is also signed. Gem is available for order via online message.

Icebergs will be exhibited also in the Venice Glass Week in September. It was great to already meet many Venetian people that were visiting Tendence!
Gem vase has the same solid colored emerald green glass material as the Gem lamp and the green Icebergs. I chose the color as my theme in the booth to highlight the varied essence of glass material.

1000 Vases exhibition in Dubai Design District

1000 Vases exhibition in Dubai was a cascade of design. Thousand vases at the modernistic atrium space all had their clever details, contemporary twists and interesting use of mediums. Being invited to the international design event was one of the highlights of my spring time.

My green Rainforest glass vases were premiered in the exhibition. Despite so many vases in the show, the set up was fresh and elegant. Each and every one of the objects had their place to shine. Picture @nateleecocks
I really enjoyed the opening day. Meeting all the artists and designers was inspiring – let alone the great exhibition team that worked miracles helping with all the last minute hustle. Picture @nateleecocks
The technique used in the green Rainforest vases is steam stick. It’s one of the iconic techniques from the golden era of Finnish glass design. I enjoyed seeing the vases side by side and contrasting with modern Tube vases by Fabio Meliota. Picture @nateleecocks
The 1000 Vases exhibition was also honored to welcome the Sheikh of Bahrain. The Abu Dhabi TV also visited the show. Picture credit 1000 Vases.
All the guests got fresh hyacinth flowers to take home. Such a lovely idea!
Flowers were also a important part of the set up. After all: vase and a flower have a long history together. Though many of the exhibition pieces can also be seen as sculptures, there is always the throwback of usable object when we look at a vase.
My glass series is blown in the glass town of Riihimäki, in Mafka & Alakoski glass studio. Pieces are shaped by hand, signed and numbered.
The venue was located in Dubai Design District. The area is full of galleries, design folks and creative companies. The 1000 Vases exhibition was created in collaboration with Meet My Project and TAM. Picture @nateleecocks
During my visit to Dubai I was happy to also be invited to VIP opening of the Art Dubai fair’s main event. The Madinat Jumeirah with water canals and palace-like buildings was very different with all the dull congress centres I have usually seen here in Europe.
Art Dubai 2019 presented more than 90 galleries from 40 different countries. Contemporary, Modern, Residents as well as the inaugural edition of Bawwaba. It was great to meet so many interesting connections for the future collaborations. Picture credit Päivi Lavikainen
When we had some quiet time inbetween the exhibition events, it was also interesting to see the unique nature around the Dubai area. The silence of the desert was very contrasting with the city life. I took some pictures of my Vuoksi glasses in this magical surrounding!
The most inspirational location was the town of Al Madam, the ‘Buried Village‘ lost in sand.

New York, Unknown Territories

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Unknown Territories exhibition in Usagi Gallery shows 30 carefully selected limited edition pieces from 13 countries. The show proposes an exploration of places, stories and cultures hiding behind every design object. Uncovering the historical, cultural and social context of the exhibits makes us see them beyond their aesthetics. They become flesh and blood storytellers of the world they were born in.

DP presents unique design pieces of leading edge designers from Europe, Asia, Middle East, South and North America transforming Usagi Gallery into a place where cultures, knowledge, and possibilities are exchanged.

The Rain The Flying Boat-story by glass artist Sini Majuri is a cartoon made of glass and a story of transparent moments. Rain is a single scene from a the story that is immortalized inside blown glass. The stories are blown between layers of glass by using a century-old Swedish Graal technique. The layered images are created layer by layer during a slow process that takes months.

“Every object reflects a scene of a narrative that follows the logic of a dream,”

Multiple image layers create surreal and dreamlike visuality in the works. The thick and heavy glass gives interesting optical properties to the dream scenes as the illustrations seem to move and distord as they are observed from different angles: Face of a woman looks sad when looked from above and angry when looked from behind. You can also see under and behind the image layers, there might be something hidden behind a window or deep into the woods in a thick forest. Rain is one of the main themes in this story about a woman that realizes that she is dreaming and don’t want to wake up. There are four individual image layers on top of each other inside every sculpture.

 

Date(s)
05/19/2018 – 05/23/2018

 

Location
Usagi Gallery
163 Plymouth St
Brooklyn

 

 

Design Pier Hong Kong

 

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I was invited to the annual Design Pier 2018 exhibition in Hong Kong. It’s wonderful to be one of the 20 young talents that are highlighted in the show! This year Finland has a special role in the exhibition: we have two designers in it. I’m so happy to represent Finland with Lincoln Kayiwa! The idea in the exhibition is that each object tells a story – True tales by design.

I will exhibit two very opposite projects; The Jungle collection and Icebergs. The contrasts in nature and the way they create harmony was what I desired to capture in the Jungle collection. The rhythm of the glass making process ensures that each object has a unique colour play inside the glass. The movement of the glass creates vivid illusions in thick material that come to life when the object is illuminated. The Jungle collection is also introduced in European Design Fairs in Munich, Hamburg, Gorinchem, Stockholm and Frankfurt by DutZ Design.

 

design pier 2018
Iceberg: I wanted to create a playful interior object that people can arrange into landscape like installations. Icebergs also works as a individual sculptures. The surface of each object is always unique. When hot lava like-glass is touched with icy cold metal, it ripples and creates a wavy texture. It is in a way a fingerprint of the glass that can not be reproduced. I wanted the ice peaks to have multiple surface textures that also create interesting optic illusions and reflections. When light is gleaming trough the glass, shadow looks like water.

 

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Glass mountains has been exhibited in Scandinavian Pavilion of The Interior Lifestyle Tokyo Japan 2017 and in Designboom Pavillion in Toronto Interior Design Show 2018.

 

Stories are fundamental to human existence. Stories structure our thinking, the way we live our lives and make sense of our experiences. Objects tell stories too. Stories of the culture they come from, stories of the people who dreamed them, their struggles and their success. Stories of a creative process that formed them, the materials they are made up from. Stories of how they transformed human environments.

Design Pier’s new exhibition guides its guests into the world of creation and presents twenty international cutting-edge designers and design brands whose products connect with us on an emotional level because they have a story to tell.

Finncham

Design Pier Exhibition
28th – 31st March
Opening 27 March at 7 PM
Lanson Place Hotel,
133 Leighton Road,
Causeway Bay,
Hong Kong

Bukowskis auction

The Helsinki Today auction opens today at Bukowskis Finland! The auction is the only one of its kind in Finland and presents the very best of Nordic contemporary art and design. It’s possible to bid also online until 19 March! I’m so happy to be part of this wonderful contemporary art exhibition with a collection of glass pieces from past years!

Here are some pieces from the auction that are especially dear to me. By clicking the images you can also visit the auction pages.

 

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Aino is made with 100 years old graal technique where the images are drowned inside the glass. This piece has special value for me, because there are for example our families coat of arms hidden in it. There are also many details that can only be seen from right angle. Thick glass gives interesting optical properties to glass. Aino has been exhibited in Toronto, London and Ohio.

 

 

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This light sculpture “Kaamos” is one of my favourite works from past years. It’s inspired by winter and how light is reflected from the snow. The unique piece is a combination of free formed glass and painted wood.

 

 

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When the birds fly low is a mixture of heavy bubbles and hazy painting. I wanted the piece to have a mysterious feeling and a lot of movement. The technique is called pulegoso, bubbly glass.

 

 

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Harpy is one of my favourite themes in glass. It is a creature that is half woman and half bird. Harpy is one of my first graal pieces that are a part of a narrative that continues from one sculpture to another.

 

 

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This vase is a part of the Jungle collection prototypes. I wanted the color to mimic the movement of a vawe.

 

 

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In this piece I wanted to capture the moment when the storm is rising. How the air is heavy and wind starts to get intense.

 

 

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Rain is part of a narrative about a flying boat. It shows a moment when a woman is trying to capture the rain.

 

 

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In this sculpture a woman is sleeping and her breth becomes visible.

 

 

Future Classics: A Glass Vase Collection to Netherlands

It has been inspirational journey to design a line of luxury vases for Dutz Collection. The 9 object collection will tour European design fairs during 2018. As a Finnish glass designer it is a great joy to see that a series of high quality studio glass is introduced in commercial setting with a strong message: quality is value. Here is a glimpse to the first prototypes made in Riihimäki. The collection is inspired by the nature.

In this prototype I have wanted to capture the feeling that I have when I look at the nature, green treetops of old oaks. How the leaves are moving. How does it sound like. (Pics. Sini Majuri, Veikko Väänänen)

The premise of my glass design is to create objects that gain their value from the quality, design and material. My ambition has always been to create future classics. When I started to design the vase collection to Netherlands, I really wanted to capture the beauty of the glass material. I wanted the shapes to reflect serenity of the medium and to be weightless and strong at the same time.

The core of the collection is to create pieces that have soul: The vases are mouth blown and shaped by hand, signed and numbered. Each piece has unique color play inside the glass.

Sometimes a very simple object can became multi-dimensional, when you use glass medium. There is for example the visual layer of glass: how does the glass reflect, how will the colors look in different lighting. Above all there are also the historical layers of glass which comprice the origin of Finnish glass making and the rare knowledge behind the craftsmanship. It is interesting to contemplate the project from these perspectives and say once again: Quality is value!

Pic. Heidi-Hanna Karhu

On ollut kiinnostava projekti suunnitella hollantilaiselle Dutz Collectionille korkealaatuinen mallisto sisustuslasia. Yhdeksänesineinen kokonaisuus lähtee kiertämään eurooppalaisia design-messuja vuonna 2018. Suomalaisena lasimuotoilijana on ilo nähdä, kuinka Riihimäellä käsityönä valmistettua lasia viedään suurina erinä rohkeasti kaupallisille areenoille näin viestien: Laatu on arvoa!

Lasimuotoilussani lähtöajatuksena on aina ollut suunnitella esineitä, jotka kestävät aikaa: tulevaisuuden klassikoita. Harvinaislaatuisella käsityötaidolla veistetyt esineet viestivät alkuperän tärkeydestä, koska niissä käytetään puhtaita materiaaleja ja ne on suunniteltu ajatuksella materiaalin parhaita ominaisuuksia hyödyntäen, signeerattu ja numeroitu.

Kokonaisuuden teemana on luonto ja sen tunnelmat. Olen saanut suunnitteluuni inspiraation kotiseutuni vanhoista puista ja metsien äänimaisemista. Dutz Collectionin mallistossa esineet ovat massiivista, jopa veistoksellista lasia. Ne ovat muodoltaan samalla vahvoja ja keveitä. Joskus hyvin yksinkertainen muoto voi olla moniulotteinen, kun käytetään lasimateriaalia, koska lasin visuaalisuus heijastaa, peilaa ja antaa mahdollisuuden läpinäkyvyydellä leikittelyyn. Suupuhallettua lasimallistoa voi tarkastella myös suomalaisen lasinvalmistuksen historiaa vasten todeten: Laatu on arvoa!