Exhibitions in Finland

My new glass series Deserted town is a narrative filled with hedge mazes, roller coasters and houses taken over by nature. It’s a story about subconsciousness and dream logic – a optical riddle that hide details that can only be seen from exactly right angle. The unique sculptures are slowly created in Suomenlinna fortress island.

Deserted town will be premiered 16.11 – 2.12.2019 in Gallery Pictor in Vihti, in an joint exhibition with ceramic artist Heini Riitahuhta. The show will be opened 16.11 at 14 – 16 PM by m.r H.E Gabriele Altana, the ambassador of the Italian embassy in Helsinki.

Process of the Deserted town series. Every sculpture has nested image layers that also hide secrets and riddles behind the obvious scenes. This piece has a city scene and neon lights that are shown only when light hits the glass from right angle. When you look inside the red windows, the truth is revealed.

In 1 – 17.11 some of my latest graal pieces will also be at Contemporary Helsinki F199 at Bukowskis. The auction is the only one of its kind in Finland and presents the very best of Finnish contemporary art and design. Exhibition and auction will be in Katajanokka (Mastokatu 4-6) and also online. There will be in total 4 sculptures from me; 3 graals and one Gem vase that has neodymium glass.

Some of my latest works can be found from Contemporary Helsinki F199 auction.

If you are interested to see the process of the Deserted town, you can also visit the glass studio in Suomenlinna during the Viapori Kekri event in November 2th at 14 – 18 PM. Viaporin Kekri is an opportunity to explore Finnish history and modern interpretation of an old tradition. It also gives visitors a unique chance to explore and experience Suomenlinna from a new perspective and see its darkest corners that are usually closed for the general public. I will be at the studio demonstrating the process of the 100 years old graal technique.

Ornamo’s annual Design Christmas will take place December 6.–8.2019 at Helsinki’s Cable Factory. The three-day market is a unique event to meet Finnish designers and see their latest works. It’s Finland’s largest Christmas market concentrated on design.

The winter in Finland is long, grim, and inescapable, and we have no choice but to embrace its arrival. Come to Suomenlinna to celebrate the long-forgotten festival of Kekri.

1000 Vases exhibition in Dubai Design District

1000 Vases exhibition in Dubai was a cascade of design. Thousand vases at the modernistic atrium space all had their clever details, contemporary twists and interesting use of mediums. Being invited to the international design event was one of the highlights of my spring time.

My green Rainforest glass vases were premiered in the exhibition. Despite so many vases in the show, the set up was fresh and elegant. Each and every one of the objects had their place to shine. Picture @nateleecocks
I really enjoyed the opening day. Meeting all the artists and designers was inspiring – let alone the great exhibition team that worked miracles helping with all the last minute hustle. Picture @nateleecocks
The technique used in the green Rainforest vases is steam stick. It’s one of the iconic techniques from the golden era of Finnish glass design. I enjoyed seeing the vases side by side and contrasting with modern Tube vases by Fabio Meliota. Picture @nateleecocks
The 1000 Vases exhibition was also honored to welcome the Sheikh of Bahrain. The Abu Dhabi TV also visited the show. Picture credit 1000 Vases.
All the guests got fresh hyacinth flowers to take home. Such a lovely idea!
Flowers were also a important part of the set up. After all: vase and a flower have a long history together. Though many of the exhibition pieces can also be seen as sculptures, there is always the throwback of usable object when we look at a vase.
My glass series is blown in the glass town of Riihimäki, in Mafka & Alakoski glass studio. Pieces are shaped by hand, signed and numbered.
The venue was located in Dubai Design District. The area is full of galleries, design folks and creative companies. The 1000 Vases exhibition was created in collaboration with Meet My Project and TAM. Picture @nateleecocks
During my visit to Dubai I was happy to also be invited to VIP opening of the Art Dubai fair’s main event. The Madinat Jumeirah with water canals and palace-like buildings was very different with all the dull congress centres I have usually seen here in Europe.
Art Dubai 2019 presented more than 90 galleries from 40 different countries. Contemporary, Modern, Residents as well as the inaugural edition of Bawwaba. It was great to meet so many interesting connections for the future collaborations. Picture credit Päivi Lavikainen
When we had some quiet time inbetween the exhibition events, it was also interesting to see the unique nature around the Dubai area. The silence of the desert was very contrasting with the city life. I took some pictures of my Vuoksi glasses in this magical surrounding!
The most inspirational lacation was the town of Al Madam, the ‘Buried Village‘ lost in sand.

Future Classics: A Glass Vase Collection to Netherlands

It has been inspirational journey to design a line of luxury vases for Dutz Collection. The 9 object collection will tour European design fairs during 2018. As a Finnish glass designer it is a great joy to see that a series of high quality studio glass is introduced in commercial setting with a strong message: quality is value. Here is a glimpse to the first prototypes made in Riihimäki. The collection is inspired by the nature.

In this prototype I have wanted to capture the feeling that I have when I look at the nature, green treetops of old oaks. How the leaves are moving. How does it sound like. (Pics. Sini Majuri, Veikko Väänänen)

The premise of my glass design is to create objects that gain their value from the quality, design and material. My ambition has always been to create future classics. When I started to design the vase collection to Netherlands, I really wanted to capture the beauty of the glass material. I wanted the shapes to reflect serenity of the medium and to be weightless and strong at the same time.

The core of the collection is to create pieces that have soul: The vases are mouth blown and shaped by hand, signed and numbered. Each piece has unique color play inside the glass.

Sometimes a very simple object can became multi-dimensional, when you use glass medium. There is for example the visual layer of glass: how does the glass reflect, how will the colors look in different lighting. Above all there are also the historical layers of glass which comprice the origin of Finnish glass making and the rare knowledge behind the craftsmanship. It is interesting to contemplate the project from these perspectives and say once again: Quality is value!

Pic. Heidi-Hanna Karhu

On ollut kiinnostava projekti suunnitella hollantilaiselle Dutz Collectionille korkealaatuinen mallisto sisustuslasia. Yhdeksänesineinen kokonaisuus lähtee kiertämään eurooppalaisia design-messuja vuonna 2018. Suomalaisena lasimuotoilijana on ilo nähdä, kuinka Riihimäellä käsityönä valmistettua lasia viedään suurina erinä rohkeasti kaupallisille areenoille näin viestien: Laatu on arvoa!

Lasimuotoilussani lähtöajatuksena on aina ollut suunnitella esineitä, jotka kestävät aikaa: tulevaisuuden klassikoita. Harvinaislaatuisella käsityötaidolla veistetyt esineet viestivät alkuperän tärkeydestä, koska niissä käytetään puhtaita materiaaleja ja ne on suunniteltu ajatuksella materiaalin parhaita ominaisuuksia hyödyntäen, signeerattu ja numeroitu.

Kokonaisuuden teemana on luonto ja sen tunnelmat. Olen saanut suunnitteluuni inspiraation kotiseutuni vanhoista puista ja metsien äänimaisemista. Dutz Collectionin mallistossa esineet ovat massiivista, jopa veistoksellista lasia. Ne ovat muodoltaan samalla vahvoja ja keveitä. Joskus hyvin yksinkertainen muoto voi olla moniulotteinen, kun käytetään lasimateriaalia, koska lasin visuaalisuus heijastaa, peilaa ja antaa mahdollisuuden läpinäkyvyydellä leikittelyyn. Suupuhallettua lasimallistoa voi tarkastella myös suomalaisen lasinvalmistuksen historiaa vasten todeten: Laatu on arvoa!

Design adventure in Japan

It was a great experience to exhibit my first interior design objects in Tokyo. In many ways Japan is a logical place for Glass Mountains – because mountains have a special role in local culture. They can be seen even sacred. Therefore it was easy to explain the philosophy behind the design: that each object has a soul.

 

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The Interior Lifestyle Tokyo design fair 2017 was held in Tokyo Big Sight that is the largest international convention venue in Japan. My glass design was a part of the Nordic Lifestyle exhibition in Scandinavian Pavilion.

The exhibition halls were beautiful and stylish. The show really was a good vantage point to Japanese design world. I noticed that most of the people spoke only Japanese so it was very important to have a expert interpreter. I was super lucky to have skilful Kanoko as my interpreter to help out!

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The workers attached the wall sticker on the wall. It was also very interesting to see how a large show like this was created in a fast and accurate tempo!

 

The way the huge design fair was build up was quite spectacular to watch. First the halls were full of bubble wrap, hammers, power cords and ladders when thousands of exhibiters opened up their cargo boxes. But suddenly when the clock struck six every detail was precise, wall stickers and podiums on their accurate place and the design event was ready for the opening day.

 

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It was great to get the glass mountains in the front page of the fair guide. It was a big help for reaching out interesting partners during the event!

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I was happy to see, how people really understood the design philosophy behind the glass mountains: how each mountain is unique and has it’s own “soul”.

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I was so happy to meet the ambassador of Finland and his wife. They also gave some good and cool hints for the future!

Vuoksi glasses are inspired by the melting ice. Each glass is unique like a snowflake.

 

When looking back this project has been in many ways a dream come true and all the pieces just magically clicked together. I have always wanted find ways to bring my design to the mysterious Japan. I got a great opportunity to start working together with my family company that also made it possible to start manufacturing glass mountains as a serial interior design object. It was also great to see how the local countryside fund in Suonenjoki jumped in to support our design journey. Glass mountains from a small countryside city travelled a great distance to Tokyo to find cool new opportunities! Thank you so much to Mansikka ry and Maaseuturahasto for supporting our design adventure in Japan!

Find more info from my new Facebook pages!

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Glass Mountains

VUORI glass mountains are sophisticated interior design objects for elegant and modern spaces. Each unique peak is handcrafted in Finland with high standards. Mountains can be used as decoration objects and custom interior installations. The 2017 series is inspired by the Scottish Highlands. Textures, colors and the athmosphere of the glass pieces resonate the unparalleled scenery of the Highlands.

Glass mountains will be presented in ILT Interior Lifestyle Tokyo design fair in Nordic Lifestyle Pavillion in June 14 – 16. Come and visit the exhibition to find your own soulscape made from mouth blown glass!

作家Sini Majuri(フィンランド) フィンランドでz生まれたガラス・デザイン。 ガラスの山々からなる、たったひとつだけのノルディックな景色を創りませんか?インテリア・デザインにソウルを! この山々は1000度の溶岩状の溶融硝子を、冷氷水の中に浸すことで造られています。

ILT interior lifestyle Tokyo

Nordic Lifestyle

West Hall 1, D-12

Sini Majuri: Vuori

June 14 – June 16

Tokyo, Japan

 

 

 

 

Glass adventures

I’m really looking forward to the year 2017 that is actually the 100-year anniversary of Finland. Many exciting new opportunities are awaiting for example in Ohio, Japan and England. The 100 year theme has inspired me to start a new narrative on glass that is based on Finnish national epic Kalevala. It will be a surreal and dreamlike story about independence and finding one’s true self.

When looking back I find that the year 2016 has been full of glass adventures. Last summer I had my first solo exhibition in Gallery G12 in Helsinki where I exhibited a glass story about a flying boat. Even there has been many expo’s before this, it was in a way my first step as a independent glass artist. That step was important to take, because a solo show gave the glass story harmony that it needed. After this the year got really busy; I had a change to travel around and see different kind of events, shows, fairs and festivals that were concentrated on design, glass and contemporary art.

G12 was my first solo show in Helsinki. It really opened many doors!
G12 was my first solo show in Helsinki. The exhibition was about a story told on glass.

I visited abandoned castle in Scotland while exhibiting in London. It is one of the places that inspired me to create a new story on glass that mixes up memories and places into fairytale scenes that follow dream logic.
I visited abandoned castle in Scotland while exhibiting in London. It is one of the places that inspired me to create a new story on glass that mixes up memories and places into fairytale scenes that follow dream logic.

Every exhibition in 2016 has been memorable: For example in Glasrijk Tubbergen it was delightful to see a small Dutch town full of modern glass. Art from multiple European masters were exhibited all around the town; in glass houses in the middle of the town square to magical illuminated glass forests. I travelled to Tubbergen with my fellow glass artists Marja Hepo-aho and Kari Alakoski. In November our group also had a great opportunity to show our art in beautiful Galerie De Lintelo, in Haaksbergen.

Many of the events I have taken part have been about contemporary art. This is why it was really refreshing to visit also Tendence fair in Frankfurt and immerse in a world of design. At the moment I’m concentrating on developing further some of my design objects, for example Polar Night-lamp. It would be cool to have a small lamp series in the future. Let’s see how it goes!

 

Open-air glass exhibition in Glasrijk tubbergen had a magical athmosphere.
Open-air glass exhibition in Glasrijk tubbergen had a magical athmosphere.

Our group had lots of fun demonstrating in Leerdam.

I'm hoping to create new versions from my lamps.
I’m hoping to create new versions of my lamps. Something simple and predigested.

During the X-mas holidays I have had many surprises in my letterbox: Design magazines that I have given interviews have travelled to my breakfast table from UK, Spain and Netherlands. It is always exiting to talk with writers, because it is a change to really stop and think about all the things behind the art. The most peculiar interview lately have been in Finnish Karjala magazine, where I was asked to tell about my family heritage and how my roots have influenced my creativity. Because of the interview I realised that so many of my dearest artistic themes springs from the old believes, stories and dreams that are told by my family. They are in a way distant echoes of the past. This interview gave me many ideas for the Kalevala-story that I’m working with at the moment. It was also great fun to give a very extensive interview to Huff Magazine from UK that opened my eyes on what my art is all about: dreams that are like puzzles and poems: Build up piece by piece – layer by layer. What is hidden, is the most important.

It was great to see the Foezzz Magazine with a great article about our group in Tubbergen. It was also fun to find glass story sculptures on the front page. So nice! It’s surprisingly easy to read Dutch without any language skills and also interesting to see all the dutch glass design on the magazine.

 

3-LAYERED GRAAL SCULPTURES

Summer exhibitions are soon opening. I have been working with graal’s that have 3 image layers on top of each other. These super thick pieces need 10 day annealing, so next Thursday will be really exiting day when the annealer is finally opened.