I‘m overwhelmed and thankful for being awarded with four A’Design Awards from Italy! The Bumpy vase that I designed for DutZ Collection won a Silver award. Flow and Icy collections that were both blown at the wonderful Mafka&Alakoski glass studio in Riihimäki also got Silver awards. What a silver lining for this strange year, indeed! And the Cassiopeia Sculpture that was exhibited in Venice Glass Week HUB got a Bronze award.
Thank you for my great team for all the support over the years, and thank you DutZ for the delightful design project again! It’s always so lovely to work together, making designs that are more than just mere interior objects. The studio made glass has such a unique charisma and soul that I wish that I manage to reflect in my design.
Sini Majuri designs a collection of glass vessels for DutZ Collection. Bumpy vases are created in blue, gold and grey color. The collection is awarded with a Silver A’Design Award from Italy in 2021.
Collection plays with contrasts. High quality meet rough glass shards that look as ornaments when placed on the rim of the vessel. Calm Scandinavian color palette brings harmony to the studio made vases that are inspired by the textures of melting ice. The concept of the design is to flirt with organic shapes and poetic glass medium.
Bumpy vases are mouth blown and shaped by hand.
Bumpy vase finds its place on the windowsill, side table or as a gorgeous centre-piece on the dining table. This model is suitable for just one flower branch, but it is also beautiful with nothing at all in it. Unique Bumpy vase fits well in every interior.
The Flow edition gains inspiration from the elegance of the movement of liquid glass that is frozen into a stasis that is fragile yet forever. The rhythm of the glass making process ensures that every vessel has unique splashes of color that mimic the dance of brush strokes of abstract impression. Every vase has their own breath. It’s a methaphor for a soul of a piece that makes it more than mere interior object. Flow is a 3th edition of Sini Majuri’s Jungle series that has been awarded with a Golden and Silver A’Design Award.
Flow collection mixes Scandinavian cool with capricious Finnish glass blowing techniques that allow color flow freely within the glass layers. Collection has three shapes and the design is available in green, blue and purple. Studio made vases are signed by hand and numbered.
A simplified shape can become multi-dimensional in glass medium; There is the visual layer of glass: how does the glass reflect, how will the colors look in different light. Above all there are also the historical layers of glass, the origin of Finnish glass making and the rare knowledge behind the craftsmanship.
Inquiries of the Flow Collection via email. Manufacturing time of orders with more than 10 objects is 2 weeks. For international orders, please ask for a quote with shipping fee.
Sini Majuri has been honored with two renowned Silver A’ Design Awards and one Iron Award. The Rainforest glass series won the Silver from Furniture, Decorative Items and Homeware Design Competition. Also Majuri’s work Iceberg won a Silver Award at Arts, Crafts and Ready-Made Design Competition Category. The Iron award was given to Majuri’s Spike lamp design at Lighting Products and Lighting Projects Design Competition Category.
The Rainforest vases are a mixture of 3D designed shapes and traditional Scandinavian steamstick technique. The hand shaped pieces have extremely thick glass with weightlessly floating splashes of color. The studiomade collection is inspired by the contrasts of nature, and how it creates harmony.
The Silver A’ Design Award is a prestigious award given to top 5% percentile designs that has achieved an exemplary level of originality in design. Entries to the A’ Furniture Design Awards are peer reviewed and anonymously judged by an expert jury panel of prominent academics, important press members and experienced professionals. Nominated furniture designs are voted on pre-determined evaluation criteria to highlight only the leading furniture design works.
Icebergs are interior sculptures. By connecting mountains, it is possible to build mountain ranges, mental landscapes made of glass. The surface of each recycled glass object is unique. Thus, each object has a unique character, a soul. Sculptures are handshaped, signed and numbered in Finland. The main philosophy behind the Iceberg sculptures is to reflect the climate change.
Spike lamp plays with contrasts. It is inspired by punk culture and calm Scandinavian mood. It is a voluminous piece, with warm light that is focused into a small pointy area under the piece. The Spike lamp has a aggressive appearance because of the metal spikes pointing towards the viewer. At the same time there is something calm about the smoothness of the ceramic surface and warm light. The lamp creates tension in a interior. Like an individual from a subculture.
A’ Art Design Award aims to highlight the excellent qualifications of best art designs and greatest art design concepts worldwide. The A’ Design Accolades are organized and awarded annually and internationally in multiple categories to reach a wide, design-oriented audience. The ultimate aim of the A’ art Design Competition is to create a global awareness for good design.
Jungle Glass Vase is Golden Design Award winner in 2018 – 2019 Furniture, Decorative Items and Homeware Design Award Category in the international A’Design Award in Italy.
A’ Design Award and Competition is the worlds’ largest design competition awarding best designs, design concepts and products & services. The motto of the A’ Design Awards is “Ars Futura Cultura” i.e. Arts Cultivate the Future, Arts for the Culture of Future. The future is shaped by arts, design and technology, thus there is need of good design for a better future.
There was a heat wave in Frankfurt, so it was good to walk to the exhibition center early in the morning before the temperature rised to 40 Celcius. A total of 603 exhibitors presented their fashionable lifestyle and trend products at the 3-day lifestyle fair. My booth was in the Hall 8.
A lakeside view opens through the huge windows of Harbourfront Centre in Toronto. Behind the centre rises the CN Tower, the landmark of the city. The building, surrounded by skyscrapers, is filled with Scandinavian art. The self-portraits of Iiu Susiraja cover the walls of the Portraits at Home exhibition. The next space is occupied by massive ceramic works of Anders Herwald Ruhwald. The exhibition, called The Hand is the Mind is the Bomb that Blows, lives up to its name. Nordic Glass gathers up nine skilled Nordic glass artists, who rewrite the history of Nordic glass in the 21st century.
The description of the exhibition:
Nordic glass was at a high point in the mid-20th century. Famous glass factories like Orrefors, Iittala, Holmegaard and Kosta Boda; and designers such as Tapio Wirkkala and Alvar Aalto were synonymous with good design and refined taste. This heyday created distinctive identities for all four countries—Norway, Sweden, Denmark and Finland—and collectively added to the Scandinavian Modern aesthetic. Sadly, few of the glass factories remain due to market pressures and outsourcing. However, these economic realities have not lessened the association of well-designed and crafted glass within Nordic countries. The situation has given rise to a bright new generation of glass artists and designers; ones with independent spirits focused on self-expression, experimentation and entrepreneurship. This exhibition highlights a group of glass artists shaping the future of Nordic glass for the 21st century.
My objects in the exhibition are glass mountains. These interior design sculptures can be organized to form either scenic ensembles, glass installations or mental landscapes. Glass imitates the characteristics of ice by frosting and cracking. It is the aesthetic of quietness.
During my journey I had the also the chance to visit New York and meet with design gallerists. I was delighted to visit for example Usagi Gallery, where my Sade sculpture was on display during the NYX Design event. Meeting with my contacts in Toronto also gave ideas to some possible future collaboration projects. It was extremely interesting to visit design and art businesses both in Toronto and New York as well as glass galleries of northern parts of USA. Glass was blown in tourist attractions, schools and culture centres. The Nordic Glass exhibition is open in Toronto until the summer of 2019. Welcome!
I was invited to the annual Design Pier 2018 exhibition in Hong Kong. It’s wonderful to be one of the 20 young talents that are highlighted in the show! This year Finland has a special role in the exhibition: we have two designers in it. I’m so happy to represent Finland with Lincoln Kayiwa! The idea in the exhibition is that each object tells a story – True tales by design.
I will exhibit two very opposite projects; The Jungle collection and Icebergs. The contrasts in nature and the way they create harmony was what I desired to capture in the Jungle collection. The rhythm of the glass making process ensures that each object has a unique colour play inside the glass. The movement of the glass creates vivid illusions in thick material that come to life when the object is illuminated. The Jungle collection is also introduced in European Design Fairs in Munich, Hamburg, Gorinchem, Stockholm and Frankfurt by DutZ Design.
Stories are fundamental to human existence. Stories structure our thinking, the way we live our lives and make sense of our experiences. Objects tell stories too. Stories of the culture they come from, stories of the people who dreamed them, their struggles and their success. Stories of a creative process that formed them, the materials they are made up from. Stories of how they transformed human environments.
Design Pier’s new exhibition guides its guests into the world of creation and presents twenty international cutting-edge designers and design brands whose products connect with us on an emotional level because they have a story to tell.
It has been inspirational journey to design a line of luxury vases for Dutz Collection. The 9 object collection will tour European design fairs during 2018. As a Finnish glass designer it is a great joy to see that a series of high quality studio glass is introduced in commercial setting with a strong message: quality is value. Here is a glimpse to the first prototypes made in Riihimäki. The collection is inspired by the nature.
In this prototype I have wanted to capture the feeling that I have when I look at the nature, green treetops of old oaks. How the leaves are moving. How does it sound like. (Pics. Sini Majuri, Veikko Väänänen)
The premise of my glass design is to create objects that gain their value from the quality, design and material. My ambition has always been to create future classics. When I started to design the vase collection to Netherlands, I really wanted to capture the beauty of the glass material. I wanted the shapes to reflect serenity of the medium and to be weightless and strong at the same time.
The core of the collection is to create pieces that have soul: The vases are mouth blown and shaped by hand, signed and numbered. Each piece has unique color play inside the glass.
Sometimes a very simple object can became multi-dimensional, when you use glass medium. There is for example the visual layer of glass: how does the glass reflect, how will the colors look in different lighting. Above all there are also the historical layers of glass which comprice the origin of Finnish glass making and the rare knowledge behind the craftsmanship. It is interesting to contemplate the project from these perspectives and say once again: Quality is value!
Pic. Heidi-Hanna Karhu
On ollut kiinnostava projekti suunnitella hollantilaiselle Dutz Collectionille korkealaatuinen mallisto sisustuslasia. Yhdeksänesineinen kokonaisuus lähtee kiertämään eurooppalaisia design-messuja vuonna 2018. Suomalaisena lasimuotoilijana on ilo nähdä, kuinka Riihimäellä käsityönä valmistettua lasia viedään suurina erinä rohkeasti kaupallisille areenoille näin viestien: Laatu on arvoa!
Lasimuotoilussani lähtöajatuksena on aina ollut suunnitella esineitä, jotka kestävät aikaa: tulevaisuuden klassikoita. Harvinaislaatuisella käsityötaidolla veistetyt esineet viestivät alkuperän tärkeydestä, koska niissä käytetään puhtaita materiaaleja ja ne on suunniteltu ajatuksella materiaalin parhaita ominaisuuksia hyödyntäen, signeerattu ja numeroitu.
Kokonaisuuden teemana on luonto ja sen tunnelmat. Olen saanut suunnitteluuni inspiraation kotiseutuni vanhoista puista ja metsien äänimaisemista. Dutz Collectionin mallistossa esineet ovat massiivista, jopa veistoksellista lasia. Ne ovat muodoltaan samalla vahvoja ja keveitä. Joskus hyvin yksinkertainen muoto voi olla moniulotteinen, kun käytetään lasimateriaalia, koska lasin visuaalisuus heijastaa, peilaa ja antaa mahdollisuuden läpinäkyvyydellä leikittelyyn. Suupuhallettua lasimallistoa voi tarkastella myös suomalaisen lasinvalmistuksen historiaa vasten todeten: Laatu on arvoa!
It was a great experience to exhibit my first interior design objects in Tokyo. In many ways Japan is a logical place for Glass Mountains – because mountains have a special role in local culture. They can be seen even sacred. Therefore it was easy to explain the philosophy behind the design: that each object has a soul.
The way the huge design fair was build up was quite spectacular to watch. First the halls were full of bubble wrap, hammers, power cords and ladders when thousands of exhibiters opened up their cargo boxes. But suddenly when the clock struck six every detail was precise, wall stickers and podiums on their accurate place and the design event was ready for the opening day.
When looking back this project has been in many ways a dream come true and all the pieces just magically clicked together. I have always wanted find ways to bring my design to the mysterious Japan. I got a great opportunity to start working together with my family company that also made it possible to start manufacturing glass mountains as a serial interior design object. It was also great to see how the local countryside fund in Suonenjoki jumped in to support our design journey. Glass mountains from a small countryside city travelled a great distance to Tokyo to find cool new opportunities! Thank you so much to Mansikka ry and Maaseuturahasto for supporting our design adventure in Japan!