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Sini Majuri in The New York Times

Read an article Forging Art From Molten Glass by wonderful Penelope Colston from The New York Times with the images taken by Vesa Laitinen. Majuri’s art blends modern technology with traditional glassblowing techniques. Her Suomenlinna workshop, set in a historic UNESCO island fortress, serves as the backdrop for crafting pieces exploring themes such as human nature and femininity. Read the article from here.

Infinity Vessel glass crowns can be ordered online. Every piece is custom made to the person’s head.
Also the earrings and the dress are made by hand. Image by Vesa Laitinen.
Mirrored can be found from Taiko online gallery. Image by Vesa Laitinen.

The New York Times feature is Sini Majuri’s childhood dream come true. Majuri, hailing from the rural town of Suonenjoki, overcame the challenges of learning English in a small town where it wasn’t the easiest task. Her childhood dream of reading the New York Times in English marked the beginning of a journey that led her to the very pages of the renowned publication. Majuri expresses her love and gratitude, acknowledging the invaluable support of her closest colleagues and friends. Marja Hepo-aho, the glass art sorceress, played a pivotal role, along with the entire team behind the Roboballet project, including dancer-choreographer Mira Ollila, Heidi Lehtoranta, Petri Pulkkinen, Janne Jääskö, Craneworks, and Aalto University’s Joni Pajarinen and his research team. A heartfelt nod also goes to Berengo Studio for opening its doors to the Infinity Vessel project, providing a space where teams creative visions could flourish. The journey wouldn’t be complete without acknowledging the pivotal roles played by Hytti Glass Studio and the Suomenlinna community, both integral parts of Majuri’s artistic family. These collaborators have consistently provided support, inspiration, and a nurturing environment for her groundbreaking work. Gallery G12’s Anni Koskinen, where she held her first exhibition in Finland, as well as to Keskusgalleria in Tampere for warmly showcasing her sculptures. Gratitude was also extended to Momono and Taiko Galleries. Special mentions went to Suonenjoki City and her family for unwavering support throughout her life’s journey. The realization of Majuri’s childhood dream is not just a personal triumph but a collaborative spirit!

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The Pulse of Family Business: Designing The Family Enterprise Award

In the video made by OneMinStory, glass artist Sini Majuri reveals the symbolism and inspiration behind the award piece as she shapes it in the historic surroundings of Suomenlinna.

It was a great experience to design an award for the Finnish Family Business Association. The choice of using mouth-blown glass as the material for the award resonates with the heartbeat of family entrepreneurship. Glass, a globally rare art form with a nomination pending for UNESCO’s Intangible Cultural Heritage list, echoes the delicate balance of strength and fragility. It’s a dance of temperature and timing, much like the steady pulse that sustains a living being. In each glassblower’s breath, there’s a rhythm that shapes the material, paralleling the heartbeat of family-run businesses that throb with passion and dedication. Each generation brings its unique breath to the process, infusing the business with fresh ideas while maintaining the warmth of tradition.

sydän palkinto palkintoesineen suunnittelu, palkinnon suunnittelu, mittatilauspalkinto helsinki, lasipalkinto, mitalli, pokaali, mittatilauspokaali
Hearth is not just an organ that sustains life. It’s a universal emblem of love, passion and enduring strength – qualities intrinsic to the soul of family entrepreneurship – lifeblood of commitment and the pulse of generations working harmoniously.

Since the establishment of the award in 2004, and its renaming in 2012 as the Peter Fazer Award, the award celebrates the symbiotic relationship between tradition and innovation. This year’s recipient, MSK Group Oy, stands as a testament to this idea. As a multifaceted high-tech family enterprise, they exemplify the heart’s resilience – pulsating with a blend of heritage and modernity, echoing the continuous rhythm of progress.

lasitaiteilija, palkintoteos, mittatilauspalkinto, design palkinto, tilauspokaali, pokaali, mitalli, palkinto, lasi, contemporary glass, nykytaide, scandinavian design, helsinki, suomenlinna
Blowing the Glass Award for Family Businesses in the Historic Suomenlinna Glass studio Hytti.

The creation of the glass heart, a process rich in tradition and precision, was a narrative beautifully captured by Antti Sipilä and Samppa Fjäder from OneMinStory‘s team. Their documentation brought to light to the artistry of glassmaking. It’s interesting how the development of lenses, a milestone in human history, was predicated on the mastery of glass, illustrating the profound influence this material has had on our perspective of the World. Similarly, family businesses embody a cornerstone technology within the social fabric.

In every family business, like in the breath-controlled art of mouth-blown glass, there’s a steady, rhythmic beat of adaptability. This glass heart reflects the enduring spirit of these enterprises. It’s not just a symbol of recognition; it’s a metaphorical echo of the heartbeat that drives family businesses. In the core of every endeavor, there lies a pulse, a steady throb of identity and passion, pulsating towards a future that reveres its past while boldly embracing the new.

The video of the process is by OneMinStory.

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Exhibition in G12, Helsinki

lasitaide lasiveistos nykytaide
Snake-shaped chandeliers that weep tears, symbolize the complexities and struggles of domestic life. Snake is a symbol of rebirth and transformation, and a metaphor for the primal, animalistic urges that lie dormant within us. In many cultures, snakes are seen as both symbols of healing and destruction.

Homes are more than mere structures that we inhabit. For they serve as reflections of our innermost thoughts, emotions, and concealed identities. Sini Majuri’s latest sculpture series delves into the non-physical dimensions of our existence.

Sini Majuri’s glass exhibition is open in G12 Gallery in Helsinki from April 22 till May 11, 2023. Pieces blend the tangible and intangible, the old and new, and the handmade and digital. By blurring the lines between art and science, Majuri hopes to capture the ever-evolving nature of art and the human experience – and challenge viewers to consider is it possible that technology could unlock new depths of creativity – Or will it ultimately lead to a loss of authenticity and soul?

The glass sculptures portray layers of feminine countenances of the human psyche. By toying with ugliness and beauty, these works invite to think about the intricate nature of human perception and the multifaceted dimensions of aesthetics. Similarly, the image of a woman with layered faces represent the different roles that women play in society, as well as the complex nature of femininity itself.


Majuri’s work portrays homes as both a sanctuary of comfort and a site of trauma, using symbols like the weeping serpent and layered women to represent the nature of our subconscious. Glass, with its transparency and fragility is a metaphor for the human mind, which is complex and multifaceted. We may curate our homes to reflect a certain image or ideal, but behind closed doors, there may be hidden struggles and complexities that we keep hidden away from view. Antimatter series is showcasing both the light and the dark aspects of domestic life. While Finland ranks as the happiest country in the world, domestic violence remains a significant problem. The transparency of glass reminds us that what we see on the surface may not always be the full story.

lasinpuhallus lasitaide nykytaide veistos
Antimatter series mirror the theme of Homes, how they are the vessels of our being, the repositories of our memories, for they are more than mere structures that we inhabit. Sculptures also offer a reminder that healing and growth are possible, even in the face of trauma and adversity

Glass as a medium highlights the idea of transparency and the power of seeing through barriers. In the same way that glass reveals what lies beneath its surface – sculptures invite viewers to explore the hidden layers of our own consciousness and the stories that we often keep concealed. Transparency underscores the importance of vulnerability and honesty in our relationships, both with ourselves and with others. Glass is a material that is both fragile and strong, transparent and reflective. These qualities are a metaphor for the contradictions and paradoxes that we encounter in our lives.

Sini Majuri’s Artist Meet 4.5 at 12.00 in G12 Gallery, Annankatu 16.

Listen Sini Majuri’s interview in Radio Helsinki from here.

Images by Juha-Matti Vahdersalo

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Four design Awards from Italy

I‘m overwhelmed and thankful for being awarded with four A’Design Awards from Italy!
The Bumpy vase that I designed for DutZ Collection won a Silver award. Flow and Icy collections that were both blown at the wonderful Mafka&Alakoski glass studio in Riihimäki also got Silver awards. What a silver lining for this strange year, indeed! And the Cassiopeia Sculpture that was exhibited in Venice Glass Week HUB got a Bronze award.

Thank you for my great team for all the support over the years, and thank you DutZ for the delightful design project again! It’s always so lovely to work together, making designs that are more than just mere interior objects. The studio made glass has such a unique charisma and soul that I wish that I manage to reflect in my design.