Etiäinen exhibition opens in Suonenjoki

My exhibition Etiäinen reflects the beliefs and customs related to visiting traditions in Northern Savonia, mixing these with the pandemic experience. The dreamlike works are created from mouth-blown glass in Riihimäki, Suomenlinna and Nuutajärvi. Etiäinen, which premieres in the Kellarikalleria art gallery in Suonenjoki, is supported by the Finnish Cultural Foundation. Join the Virtual 360 exhibition by Rautalampilehti from here.

Cell-series. Join the virtual exhibition by clicking the image above. Pic by: Markku Leskinen, Rautalampilehti
Orinnoro series. Pic: Tuire Punkki, Savon Sanomat. Click the image above to read the entire article from the Savon Sanomat newspaper.

The exhibition also highlights the cooperation in the field of Finnish studio made glass. I have worked with Kari Alakoski and Marja Hepo-aho from Riihimäki for years now. They specialize in the creation of massive sculptural glass. For example the voluminous Cell and Orinnoro series are blown by these master glass blowers. The Miekkavesi sculpture also has a special mixture of two very different mediums: fish skin and blown glass. Designer and cobbler Tytti Porvari from Mikkeli has made a fish skin belt for the glass sculpture. There are also multiple layered graal sculptures blown by me in Lasistudio Hytti ry, in Suomenlinna island. The exhibition venue, Kellarikalleria also has a special role in my journey as an artist. It is the very firs place I have seen art as a child.

The Mayor of the town of Suonenjoki, Juha Piiroinen opened the exhibition in Kellarikalleria gallery. Pic by Olli Kokander.
Tytti Porvari finishing the Miekkavesi sculpture that combines blown glass and fish skin belt. Pic by Jari Ikonen
See a video from the exhibition by YLE by clicking the image above. Pic: Marianne Mattila, YLE

I have collected material for the exhibition through newspaper ads as well as local social media, asking what sort of customs people have in their family. For example, coffee drinking has a rich tradition. It is very precise which cup is offered to the guest or how when after the invitation it is appropriate to go to the coffee table. Also, if the spoon, a knife or a fork falls to the floor it can predict weddings, male or female guests.

In some families, Grandma knew to make coffee before the guests arrived because she had Etiäinen. The footsteps walked inside and sat in the living room for coffee. The quest soon walked in. Etiäinen, the name of the exhibition means an impression of a person, that walks before us, doing everything we are about to do before us. It’s in a way a living shadow of a person.

One important story in the exhibition is by a 17 years old woman that was planning a small wedding party with her sister during the first months of the Pandemic. She wondered if soap bubbles can spread the virus; How something innocent and beautiful can become frightening. This theme is mirrored in the Cell-sculptures of the exhibition.

Kahvi-sculpture mirrors the coffee drinking traditions, etiäinen-omens and pandemic experience as a dream like scene. Pic: Tuire Punkki, Savon Sanomat. Read the article from the link

The exhibition is open in Kellarikalleria, Suonenjoki 2 – 24.6.2021. After this it will continue to Gumbostrand Konst&Form in Sipoo and Art Museum Eemil in Lapinlahti.

The Venice Glass Week 2020

The international Festival dedicated to the art of glass presents its fourth edition: #TheHeartOfGlass, which will take place around Venice, Murano and Mestre from 5th to 13th September 2020. This year’s event place a special focus on the “making” of glass, with the aim of helping to support and relaunch the Murano glass industry. Alongside events including exhibitions, demonstrations and guided tours, the Festival will offer a programme of online initiatives, in order to sustain links with international audiences.

My sculpture is inspired by the microscopic world and how something invisibly small can change the World. Photo by Massimo Pistore

The Floating Furnace, a travelling programme of demonstrations with different stops around the Lagoon. The Venice Glass Week places a special focus on the production of glass, and aims to help relaunch and revitalise the sector – primarily that of Murano – which has faced extreme difficulties as a result of months of closure due to Covid19. The aim is to (re)ignite the passion for the ancient art of glass amongst citizens of Murano, Venice, the Veneto and Italy, and to reach this audience The Venice Glass Week is going to extreme lengths: it is bringing the art of glassmaking out of the furnaces to meet the city’s residents and visitors. Photo: Nexa -Event & Travel Designers, Photographer Federica Lazzarini.
For the first time the Festival has a “title-hashtag”: #TheHeartOfGlass, placing a special focus on the production of glass, and aiming to help relaunch and revitalise the sector – primarily that of Murano – which has faced extreme difficulties as a result of months of closure due to Covid-19.

I’m honored to exhibit my glass installation in The Venice Glass Week HUB in September. Cassiopeia reflects Scandinavian aesthetics and light through organic surfaces. Each sculpture is made from mouth blown studio glass and shaped by hand. The design philosophy behind the ‘Cassiopeia’ is to create poetic interpretation of the weightless yet strong nature of glass. How it allows to see to the deepness of the Universe though the lenses of telescope and into the smallest details of life in the
microscopic world.

The theme in 2020 is “The Heart of Glass”. The festival is promoted by the Town Council of Venice and conceived by three of Venice’s principal cultural institutions with considerable experience and expertise in the field of glass – Fondazione Musei Civici di Venezia, Fondazione Giorgio Cini – LE STANZE DEL VETRO and Istituto Veneto di Scienze, Lettere ed Arti – along with the most important trade association, the Consorzio Promovetro Murano, which also manages the Vetro Artistico® Murano trademark of the Veneto Region. Once again in 2020 The Venice Glass Week has been officially designated by the Regione del Veneto.

Address:
The Venice Glass Week Hub
Palazzo Loredan
sede dell’Istituto Veneto di Scienze, Lettere ed Arti
San Marco 2945
30124 Venice
Italy

Exhibition open to the public: 5th – 13th September 2020 (10am to 6pm)

In line with the strict regulations prescribed by the Italian national health authority in relation to Covid-19, a limited number of visitors will be allowed into the building at one time. All visitors will be required to wear masks.

Dreams exhibition opens in Gallery Pictor

H.E. Gabriele Altana, the ambassador of Italy in Finland opened the Dreams exhibition in Gallery Pictor, where my glass is exhibited together with the ceramic art of Heini Riitahuhta.

It was a fun coincidence that Italy has been an important part of my year. There was a golden award from Italian A’Design Award and invitation to Venice glass Week. In 2020 I’ll also exhibit some new works in Milan Design Week. So maybe fate is trying to get me to stay in Italy.

The beautiful gallery space used to be a fire station and they still had the original fire truck door and large windows. It was great to meet many friendly people at the event and open the stories behind the glass sculptures.
The first pieces from the Deserted town series were premiered in the Dreams exhibition. It is a story about subconsciousness and dream logic – a optical riddle that hide details that can only be seen from exactly right angle. Gemini graal piece has multiple layers with houses and trees. It’s about finding ones soulmate. On the wall you can see Heini’s ceramic piece.
This artwork by Heini Riitahuhta was specially created for the exhibition in Gallery Pictor.
It was a great joy to see my glass next to Heini’s wonderful ceramic art pieces. Heini’s art is full of color and interesting technique twists. This piece was my favorite, because there is something very hypnotic about it.
Roller coaster sculpture was blown in Riihimäki. There is intensive dark blue color behind the soda bubbles. When the sculpture is illuminated from the right angle, the shadow has a surprising hue. The sculpture is solid glass.
Earlier version of the icebergs was also exhibited in Venice. Glacier is a icy landscape that mirrors the nordic mood.
Hedge Maze graal piece has multiple image layers with lots of hidden details. On the reverse side, the images are dark blue, like a shadows of a forest.

Thank you all for the fun opening! The exhibition is open till 7.12.2019. So there is still time to visit and dream along!

New edition of Jungle Collection premiered in Dubai

1000 VASES exhibition in Dubai presents a unique selection of vases in the Dubai Design District during the Art Dubai 2019 Festival. Sini Majuri has been invited to take part to the international show with her latest edition of the Jungle Collection.

Sini Majuri’s glass vase collection Jungle was first introduced by DutZ Collection in 2018 and exhibited in design fairs around Europe, China and Japan. In 2019 there will be 3 new models premiered in Dubai. The theme in the new pieces is “Rainforest”. Eacn object is solid glass and shaped by hand. The technique used is Timo Sarpaneva’s Steam Stick.

The event redefines both the space of the exhibition and the very presentation of an object, here the vase: a functional, everyday object that rises to the rank of fine-art object thanks to the work and imagination of these designers. This medium is therefore perfect to show all the plurality of the artistic scene today.

2019 edition of Jungle collection will be premiered in Dubai. The shape of the objects is inspired by Timo Sarpaneva’s Steam stick-technique.


The public will be invited to discover, throughout the duration of the exhibition, the creations of young independent designers: unique pieces, made in a multitude of materials and reflecting the personality, the universe and the sensitivity of each.

This overwhelming volume of vases compels us with its richness, its diversity and reveals to us all the artistic expertise of these creators. A profusion of vases which is nothing less than the reflection of the inventiveness and the creative intensity which they show, provoking in us this much desired emotion.

To show the singularity of each designer while confronting him with what surrounds him to better understand the dynamism of the current creation, is at it’s core, the philosophy of the project 1000 Vases.

1000 VASES

19 – 25.3.2019
Opening 19.3. At 6.30 – 9 PM

Dubai Design District (d3)
Atrium of building No.7
PO Box 333 300
Dubai, United Arab Emirates
GPS: Lat: 25.18629 Lng: 55.29914

3-LAYERED GRAAL SCULPTURES

Summer exhibitions are soon opening. I have been working with graal’s that have 3 image layers on top of each other. These super thick pieces need 10 day annealing, so next Thursday will be really exiting day when the annealer is finally opened.