Summer Collections

I’m delighted to receive four design awards from the international A’Design Awards! The summer 2022 collections Pikku, Purnu and Orinnoro as well as Suonenjoki vase designed for the city of Suonenjoki were awarded. It is especially meaningful that studio made glass is represented and appreciated in these sort of design forums in the United Nations International Year of Glass 2022. Furthermore it is great to launch these new collections with such a positive starting point as I have started new collaboration with Momono Design Store in Helsinki! If you are visiting Helsinki, you can find Momono from Yrjönkatu, near Design Museum. I have also started to collaborate with Taiko. You can visit my online gallery from here. It has also been a great honor to be chosen into international Homo Faber guide. You can find my site from here.

One of the most memorable projects have been an interview by Isabel Laine for her Bachelor thesis (Suomalainen lasitaide nykytaiteena. Esimerkkinä Sini Majurin nykylasi) for the University of Turku. The thesis is about the relationship of contemporary glass and contemporary art.

This summer I wanted to create something cute and small. Pikku is my first mini size vase and it is studio made in Suomenlinna island. Vases are inspired by soap bubbles and romantic movies. The philosophy of the Pikku is that the small details in our life are precious. In the hectic world it is important to pay attention to a single flower. Vase won a bronze award and was also noted in Avotakka magazine May issue. The vases can be found from Momono as well as from my studio.

Purnu jar is also something rather flirty, pink and smaller than my usual objects. As a designer I usually prefer using quite voluminous glass, which is still present on the thick bottom of the Purnu jar. Actually 20 cm tall Purnu is a miniature version of Orinnoro jar that is a 65 cm tall. The collection is inspired by marshmallows and pop culture. The design philosophy of the object is to reflect the Northern aesthetics with playful colors and simplified shape. Both Orinnoro and Purnu won Bronze and are created in Riihimäki, Finland at Mafka&Alakoski glass studio. Suonenjoki vase was designed for my home town, Suonenjoki. Therefore it was truly touching to also win an award from the vase.

This spring I have also been designing a new sort of project for the Finnish Craft & Design fair: an unique art piece for the event to use as their theme object. You can find the entire interview about the project from the link. The sculpture was made with traditional graal glass blowing technique and the theme of the piece is The Future. The idea of the sculpture is that one must see up close to see far too. When you look inside an object, you first look through lace, as if through a human craft tradition, inside a cell and into humanity. Hands support the future. At the same time, glass is eternal but fragile. Delicate and strong. It’s kind of a paradox.

The craft fair will be held in Tampere. Finland.

1000 Vases exhibition in Dubai Design District

1000 Vases exhibition in Dubai was a cascade of design. Thousand vases at the modernistic atrium space all had their clever details, contemporary twists and interesting use of mediums. Being invited to the international design event was one of the highlights of my spring time.

My green Rainforest glass vases were premiered in the exhibition. Despite so many vases in the show, the set up was fresh and elegant. Each and every one of the objects had their place to shine. Picture @nateleecocks
I really enjoyed the opening day. Meeting all the artists and designers was inspiring – let alone the great exhibition team that worked miracles helping with all the last minute hustle. Picture @nateleecocks
The technique used in the green Rainforest vases is steam stick. It’s one of the iconic techniques from the golden era of Finnish glass design. I enjoyed seeing the vases side by side and contrasting with modern Tube vases by Fabio Meliota. Picture @nateleecocks
The 1000 Vases exhibition was also honored to welcome the Sheikh of Bahrain. The Abu Dhabi TV also visited the show. Picture credit 1000 Vases.
All the guests got fresh hyacinth flowers to take home. Such a lovely idea!
Flowers were also a important part of the set up. After all: vase and a flower have a long history together. Though many of the exhibition pieces can also be seen as sculptures, there is always the throwback of usable object when we look at a vase.
My glass series is blown in the glass town of Riihimäki, in Mafka & Alakoski glass studio. Pieces are shaped by hand, signed and numbered.
The venue was located in Dubai Design District. The area is full of galleries, design folks and creative companies. The 1000 Vases exhibition was created in collaboration with Meet My Project and TAM. Picture @nateleecocks
During my visit to Dubai I was happy to also be invited to VIP opening of the Art Dubai fair’s main event. The Madinat Jumeirah with water canals and palace-like buildings was very different with all the dull congress centres I have usually seen here in Europe.
Art Dubai 2019 presented more than 90 galleries from 40 different countries. Contemporary, Modern, Residents as well as the inaugural edition of Bawwaba. It was great to meet so many interesting connections for the future collaborations. Picture credit Päivi Lavikainen
When we had some quiet time inbetween the exhibition events, it was also interesting to see the unique nature around the Dubai area. The silence of the desert was very contrasting with the city life. I took some pictures of my Vuoksi glasses in this magical surrounding!
The most inspirational location was the town of Al Madam, the ‘Buried Village‘ lost in sand.