Infinity Vessel

Infinity Vessel production fuzes holographic art and AR together with studio made glass. Infinity Vessel Video by Juha-Matti Vahdersalo & Iiro Svanbäck.

Finnish glass artists Sini Majuri and Marja Hepo-aho discover the limits of the ancient art of glass in the Infinity Vessel production opening in Venice on September 2022. The myth of Pandora comes to live when contemporary glass mixes with holographic art, haunting soundscapes and grim interpretation of AR.

Majuri and Hepo-aho uses augmented reality as a way to illustrate a hidden – subconscious levels of human mind, where all the fears live. The modern tech reaches the intangible surfaces of expression in the narrative that mirrors the state of the society – asking what happens when human is disconnected from humanity.

As in the myth of Pandora, hope is an important part of the whole, and it is reflected via the profound connection between humanity and craftmanship. The connection is interpreted in a Live glass blowing show at the legendary Berengo Studio Murano.

 The surreal project reflecting the state of the society will be exhibited in Venice on September 2022. Image by Juha-Matti Vahdersalo. 

In the glass show the artists demonstrate how the hope is the final thing released from the Pandora’s vessel. The vessel is paradoxically broken and whole at the same time – as a metaphor to a human.

Infinity Vessel production is a riddle where the participants are experiencing contemporary glass art in a adventurous way. It is a live show, exhibition as well as a real life treasure hunt where valuable glass sculptures are hidden in the maze of Venetian Streets. The open hunt will last for nine days and has a AR level tied to the experience – where the treasure hunters will see the horrors of Pandora spreading across the ancient city.

In the treasure hunt valuable artifacts are hidden in Venice for anyone to find. Image by Juha-Matti Vahdersalo
The Infinity Vessel project has three parts: an installation, live show and a treasure hunt. The installation is a vessel that is broken and whole at the same time, as a paradox. Horrors and nightmares are illustrated via hographic art and augmented reality – as layers of the experience.

KOTI exhibition at The Museum of Fine Arts Eemil

Sini Majuri’s exhibition has opened at the Museum of Fine Arts Eemil. The theme of the exhibition ‘Home’ (Finnish Koti) is illustrated via poetic blown glass. Home is something that define ourselves: who we are and who we desireto be. Home can mean Chaos or a Serene safe haven. It can be dangerous. Loving. Home is missed. It’s not for granted to have a home. Especially in the midst of pandemics home has evolved into new dimensions.

The cartoon story is captured inside blown glass in the exhibition. The illustrations have broken textures that mimic the feeling of ancient and also reflect on the fragile nature of a human. Sini Majuri, Chambers. Graal technique. Suomenlinna 2022. See the entire series from the exhibition catalogue.

The exhibition is part of the program of UN’s international year of glass 2022 – which is why Majuri wanted to highlight the diversity, co-operation and vitality of Finnish contemporary glass in the exhibition. The artist is not only shaping the glass material but the whole creative field and its future.

Studio made glass is an expressive medium that can give a shape to a feeling, the visible and invisible levels of existence. The theme Home is mirrored via multi-layered interpretations of classic Graal- glass blowing technique. Glass story follows the logic of a dream and Home is also seen as a metaphor to a persons psyche. An important part of the narrative is how our own position affects the ways we see each other.

“Inside the optical, vivid glass, a face is distorted. It is impossible to see it as real because the glass material is never static – as a human never is. I’m interested in human gender and how it has been illustrated in culture over the Millennia. ” Sini Majuri. Family Portrait – Hollywood. Riihimäki 2022
The exhibition first focuses on the atmosphere of the Majuri’s home region and then walks into the building to see who lives there. There are multiple hidden layers in the story that can only be seen from exact angle. The textures of the illustrations imitate ancient feel and broken surfaces. This is a metaphor to humanity. Home is seen as a part of a persons psyche. Sini Majuri. Graal technique. Suomenlinna 2022
Glass is a language of beauty – because it is an optical, reflective material that can express subtle shades of emotions, which are otherwise difficult to reach. The sculptures focus in a way human are seen and looked at. The cartoon is inspired by the selfie culture that is mixed into an ancient feel. The main idea in the story is human perspective: how we are tied to our own viewpoint when looking at others. Multi-layered sculptures illustrate the depth of a person. The exhibition is open from January 28 till April 17 2022 in the Museum of Fine Arts Eemil, Lapinlahti Finland.

Read more about the exhibition from Iisalmen Sanomat News Paper: Link

Read an aticle from the Contemporary Glass Society: Link

The online exhibition catalogue: Link.